Overall, an excursion into downtempo wonderment not to be missed.
Tag: Experimental
Asshole Galaxy :: Irreparable Damage (Mahorka)
A stunning visceral soundtrack and a mission statement for our world’s “leaders” to pay attention to what’s happened, is happening, and sadly repeating itself.
Anderdog :: Kelgoma (Mestnost)
What Anderdog accomplishes here is blissful electronics with a splash of braindance influence and loosened breaks to round off the proceedings.
Soutien Gorge :: Tarskapcsolatodban (Touched Music)
Soutien Gorge combine the playfulness and innocence of Plone, with the carefully arranged moods of ISAN, and vocal samples that wouldn’t sound out of place on a Wevie Stonder album.
Sole Massif, Tineidae, Access to Arasaka :: Engage EP (Chatsubo)
Dense and fractured aural fields twist apart, scorched and ripped at the seams, the trio smother what feels like hundreds of rhythms.
dynArec :: Force In The Sum EP (Central Processing Unit)
For many true fans of electro, it should have a sci-fi, almost alien-like sound, and give highs in the living room or dancefloor—all of which is excellently executed by dynArec.
Printiig :: Interhymns (Point Source Electronic Arts)
Hailing from India, Shubharun Sengupta occupies the Printiig moniker and Interhymns is a ten track behemoth of electrical activity and shrapnel beats.
Seabuckthorn :: Of No Such Place (laaps)
I especially enjoyed the fact that there is still plenty of room for more experimental sounds and that the delicacy is not the big idea here.
BASTARD :: Full Bleed EP (Renraku)
A spontaneous yet refreshing EP; foraging glitch acrobatics with a roughened textural style.
Fleck E.S.C :: Rough Silk EP (Central Processing Unit)
Fleck E.S.C (aka Franck Collin) proves yet again his ability to create music that is both unique and electro-centered—Rough Silk being his second EP for CPU.
Symphony of Sirens :: The sound of a city alive with industry
A much lesser-known name is Russian composer Arseny Avraamov (1884-1944), who was producing music just as radical and challenging to audiences, and to our ears, and 100 years ago today.










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