Experimental Electronic Music
Salt takes the delicate mixture of acoustic instruments such as viola, violin, piano and guitar combined with subtle electronics to the next level. The new album is both a remarkable departure and at the same time sheds a new yet reassuring light on Hansen’s work and creativity.
Although this album is set in space, its aural compositions combine technoid patterns, braindance, IDM, ambient, downtempo, and microscopic grooves with brittle melodic components that, in this limited edition cassette and digital release, manage to function nicely together here on Planet Earth.
The few, abstract transitions are filled with tremulous frequencies that we simply can’t escape from, and in the end, it’s clearly an intoxicatingly surreal and recommended album for late-night listening.
The back room of DSGN CLLCTV hosted an evening of electronic, noise, and left field music. Some of those on the bill were old friends and familiar faces from Cincinnati’s stalwart scene of experimentalists, while two of the other acts stopped by on their respective tours, to make for a memorable night.
Perhaps what is most astonishing about the flux of noise, beauty, sound, art, collected here is the number of recent recordings from 2018 and 2021. That makes this particular double-album of various artists unique. The other recordings that aren’t new, are rare, or at least difficult to get a hold of. Having them all in one place is a real treat.
These eight compositions feature atmospheric notes, delicate tones, and drones, but the real attraction of Domus is the organic beauty of its flora and fauna.
Cathode Ray Tube keeps up his regular aural explorations and characterizes his most recent work as dark ambient / Deutsche kosmiche, but he also explores a world in which certain audibles have form and others remain formless.
I think this is very good sounding ambient atmospheric pop, employing bass with keys, guitar, a touch of percussion sometimes and always within a framework of wonderful spacey electronics with some etheric vocals too.
As a whole, the album is energetic, frenetic, chaotic, and somewhat punk. Featuring compositions both acoustic and electronic, recorded with an ample dose of “creative anger,” the tracks are a lot of fun listening to and really pull a listener in.
Rontronik (Ron Croudy) is not just a music producer and DJ/Controllerist; he’s a sonic architect weaving beats and melodies into immersive experiences. His journey into the realms of electronic music began over a decade ago, fueled by a passion for diverse sonic landscapes and a relentless drive for experimentation and innovation.
A revenant returns as a spirit after death, and art can be an experiment in new forms, one might not like it all. For me, “Burn I” and “Burn II” were tough, but then “Dome 2080” is Extraordinarily Awesome! Yes, very good.
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
