For over four decades, R&S Records has built its reputation on championing music that redraws the boundaries of electronic sound, making Third Person’s remarkable debut feel less like a surprise than the label’s latest leap into the unknown.
Tag: Electronics
V/A :: Én Stemme – Danish Eurorack Compilation Vol.1 (Vicious)
Én Stemme succeeds because the constraint actually does the work it was designed to do. Ten artists, one oscillator each, and the result isn’t ten variations on a theme—it’s ten distinct voices proving that limitation, handled with enough curiosity, produces more individuality than freedom usually does.
Fragile X :: Simulacra (Self Released)
J. Gorecki returns with Simulacra, a meticulously crafted seven-track journey that balances warm analog textures, fractured rhythms, and immersive atmospheres into one of his most fully realized electronic statements to date.
pray4Manta :: LIMEN EP (Self Released) — [concise]
Occupying a threshold between rugged electro forms and industrial glitch polish, LIMEN exists seemingly light-years beyond conventional notions of time and space.
Earth Trax :: Everlasting Flame (Lapsus)
Earth Trax delivers an engrossing ambient techno record that thrives on deep bass, dub textures, and remarkably fluid pacing. Equal parts hypnotic and atmospheric, Everlasting Flame is a modern take on the genre that rewards a full, uninterrupted listen.
Ert :: Lotus EP (Weirdrum)
Future garage as a genre has always carried a melancholic undercurrent, rooted in the post-dubstep era, it borrowed the half-tempo swing and emotional weight of UK bass music and stretched it into something more introspective. Lotus takes that lineage and strips it further, removing the dancefloor elements almost entirely and leaving only texture, stutter, and atmosphere.
Scorn-Fury :: Outside the limits of Your Sight (Rednetic)
Outside the limits of Your Sight arrives as something closer to an exploratory document than a straight club record, and the opener makes that clear immediately. It doesn’t set you up for what you’d expect, instead it eases in with something eerie and ambient, almost hesitant, like a producer deliberately withholding the more familiar version of himself to see how long you’ll follow.
[2View] Masaya Kato :: Glass Anthimeria, SAVVAS METAXAS :: Magnetic Loops IV (Line)
Two albums, two deeply immersive worlds, where restraint, process, and patience become the most powerful instruments of all.
Lumtz :: Tesoros (We All Speak In Poems)
For an artist whose work is rooted in the landscapes and quiet moments of Patagonia, Tesoros is Lumtz at his most personal and his most generous—sharing an archive of walks, notes, and small musical experiments as if handing you his journals and saying, here, take a look. Most listeners will find something in it. The ones who slow down enough will find quite a lot.
1981OCTOBER5 :: Arrows of Time (Self Released)
Ultimately, Arrows of Time serves as a thoughtful reminder that artistic limitations often produce the most compelling results. By reducing options, 1981OCTOBER5 expands expression. By rejecting excessive processing, the artist uncovers remarkable warmth and intimacy.
Jérôme Chassagnard :: Hora Fugit (Hymen)
Piercing electronics and cinematic sonic extensions are folded into colossal forms across Jérôme Chassagnard’s Hora Fugit, an 11-track suite that constantly contracts and expands.

















