UPIC Diffusion Session #23 begins with a cascade of glitchy static tones, each descending in pitch and rising in volume. They converge briefly around a central point, only to spiral down further as we begin to hear the distinct click of switches being flipped.
Tag: Electronics
Whatever The Weather :: Whatever The Weather II (Ghostly International)
Ditching the percussive side in favor of more timbres and textures, Whatever The Weather II depicts some wonderful spacious soundscapes.
Serge Geyzel :: Visions I Lost EP (EC Underground)
Geyzel’s signature beats twist and intertwine with drifting melodic threads, while pulsing drones create a hypnotic atmosphere, and in sum, Visions I Lost expertly delivers on all levels.
400 Lonely Things :: Subdivisions (Unexplained Sounds Group)
Attached to the singular process of degradation—evoking memory, loss, and the inevitable corruption of time—and looped patterns but brightly coupled to soothing ambient lines and oceanic shimmering sequences which attenuate the ominous purpose and turns it in something dreamlike.
Loess :: Battens (n5MD)
Battens envelops the listener in a grayscale world, one that is cold yet somehow comforting, like the stark beauty of an overcast November afternoon.
White Triangles :: II (◢sidehatch)
With intricate bursts of detailed flutter and sweeping soundtracks, the compositions unfold as surreal, multi-layered works.
Serge Geyzel :: Superbefore (Touched Music)
Geyzel proves himself a deft sonic architect, equally rooted in electronic music’s past and its unfolding future. With Superbefore, he crafts a voyage that is […]
Julien Demoulin :: A Trial Of Distances (Sound In Silence)
A Trial of Distances is modern ambient music that sets a reflective mood. It combines subtle, functional, and therapeutic elements with a poetic human touch, making it perfect for moments of daily introspection.
Nickolas Mohanna :: Speaker Rotations (AKP)
The huge scope that Speaker Rotations depicts is well served by its compositions as well, as it sometimes starts to build to these big big walls of chaos; truth be told, loudness is never this album’s main goal, but it feels so huge that it almost tricks you into thinking you’re submerged by sound, slowly sinking in quicksand.