Bracaloni’s latest traverse moves through warm, spacious soundscapes built for getting lost within, where atmosphere lingers long after each piece fades.
Tag: Electronics
SUAHN :: Distort Everything Forever (Self Released)
Distort Everything Forever opens in ambience, spends most of its middle throwing rhythmic and low frequency chaos at you, then returns toward atmosphere at the end.
Ervin Omsk :: Der Saal tobt (Orange Milk)
Multiple active listens never feel like a chore, and are instantly rewarded by the lavishness of the sounds and the cleverness of the compositions, bringing together awe, humor, and bewilderment. And what else can we ask of experimental music?
Strugatsky Brothers :: Window To Askoy (Zoku – Zoku)
Everything about the sound design and palette of Window To Askoy seems suspended in the heat of summer rains and tropical smog. Yet it’s the soulful element that’s paramount: an exquisite melancholy and blessed-out bliss shape the ventricles and vessels of these lean cuts.
The Bug / Friday Night Plans :: Ladybug 2 (Pressure)
The Bug’s Ladybug 2 pairs his heavy, hypnotic bass pressure with Friday Night Plans’ hushed vocals, turning six versions of “Miss U” into a dark, immersive journey where dub, shoegaze, and electronic melancholy slowly dissolve into one hypnotic flow.
Kim Cascone :: Post-Digital Music: Essays (1999–2026) (Silent)
Kim Cascone’s book Post-Digital Music gives sound artists the conceptual thought tools that help open up connective valves between the unconscious and conscious minds, stimulating the growth of imagination. This collection of essays is also essential reading for the continued critical discourse around issues of electronic music production and reception.
Chit Chat with Ben Stokes of Dimensional Holofonic Sound
A veteran of groundbreaking music-video and visual collaborations, Ben Stokes puts his most personal stamp on Dimensional Holophonic Sound (DHS), his singular project blending acid electronics, old-school analog imagery, and experimental video production. Simultaneously, Stokes has built a distinctive career at the intersection of sound, art, technology, and visuals.
Five questions with Somewherecold Records
From its roots as a music blog to a fiercely independent label built around physical releases, Somewherecold Records has grown from Jason Lamoreaux’s love of experimental music into a deeply personal effort to give artists and their work something lasting to hold onto.
Signal_Black :: Disruptive Event (Evel)
Rather than treating glitch as surface decoration, Signal_Black builds an entire skeletal language around it. What emerges is a unified, tightly constructed collection of focused (yet splintered) electronics—one that pushes exploratory sound forward through distortion, fragmentation, and a distinctly futuristic sense of movement.
WE FORFEIT :: Radio Relativa #55
More techno from Bradley Strider, Death in Vegas, and Ryan James Ford with all three delivering their own expression of the sound with savage results. We have electro with Cultivated Electronics, To Pikap and Shipwrec, and breaks with DjRum and Withhold. Two hours of nonsensical anecdotes and lots of great music.
Multiplex :: Axial Opposition (People Can Listen)
That exchange between past and present is central to Axial Opposition. Classic Multiplex structures remain recognizable, yet the melodic synthesis gives them renewed dimension, allowing vintage electronic language to exist alongside contemporary detail.












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