Strange storytelling, field recordings dusted in gray, gentle melancholy strings, and tribal electronic rhythms, meet stuttering voices and spell casting as sing-songing in a realm of wondrous enchantment.
Tag: Electronics
Neutrino Effect :: They Shall Bring Death Upon Us (Labile)
Guitar serves as a central thread throughout They Shall Bring Death Upon Us, reinforcing its industrial-rock foundation without overshadowing the electronics. Instead, it cuts through the mix as a defining presence, driven by distortion, rhythmic decay, and patterns that accumulate weight as they unfold.
Anorak :: Convolve EP (Defunkt)
This is music pushing impetus and intention to the extreme, gluing together gorilla-XX fury, experimentation and possibility at the very tip of collapsibility and ruin, remaining just faithful enough to sanity to preserve its musical heart.
Autechre :: Live @ Cabaret Aléatoire, Marseille (Oct 13, 2026)
A disorienting, sometimes brutal experience that demanded we surrender to the music, accepting the limits of our own bodies and senses, resulting in a concert that fully lived up to Autechre’s glorious reputation. Article by: Christopher Mathieu and Georges White
Charlie May :: Trusted Farms (A Strangely Isolated Place)
Trusted Farms retains something of that freedom. It carries it into music that feels more physical, driven by rhythm, repetition and synthesizers with weight, friction and substance. Many parts were played live and barely edited. Lines are doubled, distorted, recorded again, sent through other machines. They remain recognizable. They keep some of their roughness. They breathe. Perhaps this is where the most beautiful part of the album lies.
Interdimensional Warlock :: Castlevania Vibes EP (Pretension)
Two originals, three remixes, five cuts of finely engineered funk. Interdimensional Warlock takes familiar electro ingredients, wires them to a dirty great bassline and sets the whole lot loose after dark. Get your stank face on.
Bibio & Dorian Concept :: Answers (Warp)
What Answers pulls off, mostly, is conjuring a nostalgic feeling attached to nothing specific. Tape hiss, degraded loops, half-remembered melodic phrases, none of it points at an actual memory. It just borrows the texture of one and hands it to you empty, letting you fill in whatever it’s supposed to be about. That’s a strange trick for two artists to pull off together, especially two who built this thing without ever being in the same room.
Markus Mehr :: WATERSHED EP (Hidden Shoal)
In WATERSHED, Markus Mehr transforms recordings from the early days of Russia’s invasion of Ukraine into an unsettling meditation on war, distance, and the responsibility of listening when looking away is always an option.
Trudi Veremu :: Modulisme Session 145 (Modulisme)
Trudi Veremu turns the vintage EMS VCS4 into a voice of her own, blending freeform vocals, experimental electronics, and diasporic memory into an intimate exploration of sound, identity, and the unpredictable relationship between artist and instrument.
Acid For The Grandma :: What?
In many respects, the 12”s from Acid For The Grandma sound more like compilations. Each EP has a sense of being distinct and unique rather than a progression from one to the next. The real surprise is that it is one artist behind these releases, one musician exploring acid, ambient, house and techno and doing so from incredibly varied perspectives.
Andreas Tilliander :: Ljud [2026 Remaster] (Keplar)
Capturing his intuitive approach to electronica—minimalist, warm, playful (Ljud-ic?!) and obliquely house-informed, like its precursor, Ljud is a timeless work driven by repetition and microvariation, happy accident and spontaneity, the casuality and vibrancy of its spirit tangible throughout.












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