It’s all here, triangulated for us mere mortals on Triangulate—an album we didn’t know was absolutely essential for the burgeoning industrial glitch scene.
Tag: Electronics
Matthew Mercer :: Ataxia (Self Released)
Ataxia exhibits a powerful foray by which the listener is taken through a whirlwind of sonic trajectories and minimal audio therapeutics in the shape of veiled techno forms.
Cut Out :: Down The Line (Still Heat)
Gestures hint throughout to folded layers of chaos that is both jarring as it is mesmerizing; like that of a gripping horror you can not peel your eyes from.
V-Stók :: Liminal (Position Disposition)
Subtle dub extracts, instrumental tangents, and glitchy transmitted noises are more disjointed and surreal this time around.
V/A :: Darker Sounds Of A Present Future Vol. 1 (Errorgrid)
A mind-bending amalgamation of talented musicians finding themselves at the crossroads between an industrial-glitch fusion and deconstructed, dystopian sound worlds.
Hanut Munson :: AE-02 EP (Adepta Editions)
A calm pair of sonic miniatures gently unfold on AE-02, feeling like we’ve always had them in our music collection alongside other BOC-inspired kaleidoscope interludes.
Hexalyne :: Tcaresset (Kaer’Uiks)
As Hexalyne, his latest outfit, the prolific Romanian shakes off the past for a more polished glitch-industrial sheen for none other than our favorite record label, Kaer’Uiks.
Sunao Inami :: Horse Tail (electr-ohm)
Showing no particular shape, the album cascades through the mind’s ear as brisk ambient bits flutter and fade away.
Solypsis :: Recidivist (Component)
Solypsis drives a powerful wedge through the whole electronic scene—leaving a jagged and bumpy trail that very few are able to replicate.
Yimino :: Touched Presents Yimino (Touched Music)
For me, Yimino sits on that ever-dependable pedestal upon which the most reliable of artists are placed, those that you can count on with each play to engage you and satisfy your needs.
exm :: MMLXXVII (Self Released)
Each piece sequentially numbered (“00001” through “00006”), exm always manages to traverse strange, bewildering worlds where synthesizer strains merge with organic and cybernetic details.














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