Experimental Electronic Music
Establishing a benchmark for high-definition electronic experimentation, US-based Point Source Electronic Arts explores expansive landscapes steeped in post-industrial terrain, striking a balance between explosive glitch mechanisms and delicate atmospheric textures.
Everything about this zero-sum EP radiates talent, from the grooves, to the effortlessness of the transitions, to the bangers, it’s really impressive.
So even though Kilometer Club is doing something new by making electronic ambience the length of something you would hear by the Minutemen or The Germs, it is still long enough at the album level to be considered long form. That’s the paradox: an epic odyssey taken in brief snapshots. There is something very earnest about this approach.
Produced by Anders Ilar in 2015 while in Estonia, Tallinn Acid Tracks is out now via Acid Lathe—an experimental sub-label of Yard Rec—on a limited edition 4-track clear square 8” vinyl made individually on a lathe cutting machine.
All in all, calming ambient techno mosaics and expertly crafted soundscapes flourish within Four Flex One. Simply captivating.
A quarter of a century on from optimal.lp’s release, then, its timelessness is still palpable, even enhanced, with the reissue’s addition of three tracks made while working on it, plus a new take on the closing “Tank” (digital only): in prepping the reissue, running one of the masters through a customized reverb unit, he began recording the outcome of this haptic past-inside-the-present dialog.
Blurred Cities presents an engaging and brilliant sound excursion, crafting poignant pieces with a slight departure from his usual sorrowful dusty neoclassical ambient in favor of more hypnotic and discreetly beat-laden ambient chills.
Fans of Richard Devine and Valance Drakes should take note of Dragon’s comprehensive blend of deep sound forms that pierce through the core of our planet.
