Experimental Electronic Music
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week, the mesmerizing compositions of Vladislav Delay, Oval, and Autechre.
Industrial and synthetic terrain nevertheless harbors a wide variety of severely saturated beats, noise, and bizarre soundscapes.
A felicitous confluence of two distinct sound worlds/whorls in a zone notionally adumbrated by texture-mappers.
I the Storm is by Simon McCorry who is well known as a remarkable cellist and sound-sculptor of ambiguous environments. Here are four extended tracks of cello-toned sculptures.
Listening further and more closely, I perceived that Fragmented sounds more contemporary—the music has an industrial edge. The album has a tasteful minimalist quality as does much of Cluster, but it sounds more relentless and more driven in pace.
Acrylic paints and paper art loaded with intrigue, ambient noise and introspection, lo-fi, tape-based pieces in short-form compositions.
A series of atmospheric tracks combine synth tones within the sequences, pad melodies and other sonic devices to evoke their intended setting(s)
Gimmik (Martin Haidinger) has released a new EP containing remixes by Gimmik, Naqara, Moy, and Sound Synthesis, the operator of the Wave Function label. Analog […]
Winters Past is a very enjoyable mainline ambient drift album featuring wintery atmospheres and notably subtle emotional compositions.
What follows constitutes, for want of time for exhaustive description, a representative sample of some of the year’s rich late harvest…
“Not too dense while remaining always complex and multifaceted, seemingly forever a powerful deep boom marks each cycle explosions and everlasting resistance that in the end sails away on the ocean never to return…”
