Experimental Electronic Music
Sprung from a blend of improvisation and composition based on minimalism and depth of (sound)field, his latest, Juxtaposed, is the fourth in a recently inaugurated series of audio works on DƎЯRDE—more experimental, electro-acoustic and cross-genre side-label of Dronarivm and Fonodroom.
Fly the ocean on this silver plane of an album. It’s a smooth flight full of gentle transitions, giving a contemplative view of the larger landscape of our lives.
In these two deeply moving releases, Yann Novak and David Vélez transform personal grief into acts of listening, remembrance, and meaning-making.
Apple Tree Brightness burns like sunrise personified as the latest release fromdatewithdeath (aka Travis D. Johnson), landing fresh on the ever-refined Poverty Electronics, a label that has quietly shaped its own groundbreaking corner of experimental electronics for well over a decade.
Mutual Motion gathers 25 artists across 24 tracks into a release animated by movement, bodily response, and stylistic multiplicity—an expansive survey of modern club mechanics operating at full physiological intensity.
As a first collaboration of David and Scott, the feeling is immediately harmonically balanced and calming, the overall flow allows for sightseeing while you are napping. Cinematic tinkling satisfying hearts and minds, two chill guys, gentle souls making lovely music. Through the Thought Horizon is a melodic, beautiful, and deeply resonant album.
A peaceful, singular, and cozy post-ambient journey made of lush sounds, with some chilling moments based on fragmented memories, that will ravish listeners of digitalized tape music and carefully crafted, slowly moving soundscapes.
Following chilling mysteries emerging from Arctic expeditions and unveiling the metaphysical strength captured in ice-cold landscapes, the droning sound art project Netherworld (alias Alessandro Tedeschi, founder of Glacial Movements Records) is back to the forefront.
As The Cosmological Constant opens up slow in its intended listening session, Bitbasic’s approach becomes clear, he plays games with the listener, toying with genre, pulling from IDM, glitch, trip-hop, and jazz without settling into any one space.
_729.root functions less as compositions in the conventional sense and more as active scaffolding for expression—temporary sonic architectures that think through signal, texture, and constraint, that lead the artists rather than being led by them.
The 23 tracks that make up IDM Collection 21-25 / The Structure of Silence create a sonic fortress of shadow and light, featuring many rooms with complex infrastructure and sharp angles. There are geometric rhythms throughout, like gears that wind up, dismantle and reconfigure themselves, warmed by vapors of tone that slip through the cracks. As a sound designer and producer, Miyashita displays a masterful understanding of space.
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