More heavy and power electronics are used as main architecture, punctuated by processed acoustic elements, retro-futurist tribal drums, doom-laden organ chords, micro noises, and nihilistic vocals, wordless and narrated.
Recent Posts
Dalot :: Aquarium (Same Difference Music)
I am carried about on the circularly flowing strings within dim and transparent emerging elements and an odd mixture of electronic textures, granular and glitchy, and decorated with humorous abrupt collages.
David Morley :: Fashion (De:tuned)
Organ groans call forth earthen percussion, dripping clanks and clods of drum soon shed of their organic trappings as industrial tones begin to dominate.
Demetrio Cecchitelli :: Jump (Dronarivm)
A refined and subtle microtonal ambient work with alluring and playful instants of beauty and floating glimmers.
Belong :: Realistic IX (Kranky)
Belong’s return with Realistix IX is quite a success. They improve significantly on where they had left off and also make use of their noisy aesthetics, combining the two into a satisfying sonic collection.
Fennesz :: Venice 20 – 20th Anniversary Edition (Touch)
Venice is an album that continues to work extremely well, even after 20 years. The combination of lighter-sounding loops with sounds that are more distorted results in a complexity of tone and texture as this remastered version emphasizes.
Maes Y Circles :: Maes Y Circles (GOTO)
Maes Y Circles’ self-titled album is a solid work with some great tracks. Audio technology is showcased, but because the sounds are of a vintage quality hearkening back to musicians such as Tangerine Dream and Vangelis.
clocolan :: Monday Kid (Redpan)
clocolan’s soundscapes are encapsulated by a multitude of spectral tones and drones, while dreamy, textured layers present an uneven yet well-balanced veneer.
Ken Ishii :: Reference To Difference (Remastered 30th Anniversary Edition) (Sublime)
Reference to Difference was made when Ken Ishii’s musical ability was beginning to take root and bloom, a time when music was shifting into something new and unheard. A release of the annals of electronic music history, lovingly, and thankfully, revived.
Zságer Balázs :: Aqua Obscura (Free Sequence)
Built over long soundscapes, noisy field recordings and hypnotizing harmonic clusters, Aqua Obscura completely takes over our attention, swimming on a magical journey that directly touches our inner consciousness.
V/A :: Seventeenth Listen (People Can Listen)
Another potent assortment of vibrant and well-crafted IDM morsels to savor, brought to you by the consistently dependable People Can Listen label from Minsk, Belarus.
Recent Posts
![Weldroid :: The Peripheral (2026) (Self Released) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/04/weldroid-the-peripheral_feat-75x75.jpg)
Weldroid :: The Peripheral (2026) (Self Released) — [concise]
Ruby My Dear :: Iterations EP (Analogical Force)
Electric Supply Station :: Constellation of Scars EP (See Blue Audio)
Ital Tek :: Mind Abandon (Planet Mu)
Fallen :: Postcards from Nowhere (Form@)
![Boards of Canada :: Inferno (Warp) — [Hypothesis]](https://igloomag.com/wp/wp-content/uploads/2026/04/boards-of-canada-inferno-hexagon_feat-75x75.jpg)
Boards of Canada :: Inferno (Warp) — [Hypothesis]
A-Sun Amissa & Lauren Mason :: Water Scores (Gizeh)
Boards of Canada announce Inferno (Warp) — May 29, 2026
