Relentless, inventive, and impossible to ignore—this is electronic music at its most unrestrained. No pause, no breath—only forward motion and beautifully wrecked.
Reviews
James Shinra :: Meteorites (Analogical Force)
Meteorites isn’t just a succinct collection—it’s a sandblasted, sonic odyssey, a landmark release for 2025 that captures the essence of abstract electronic music at its most compelling and immersive.
James Krivchenia :: Performing Belief (Planet Mu)
James Krivchenia fuses acoustic drums and a rich array of percussion with electronic textures, all anchored by deep basslines courtesy of Sam Wilkes and Joshua Abrams—each track features at least one of them, except for the opener.
Brian Eno & Bette A. :: What Art Does: An Unfinished Theory (Faber Books)
Faber proudly announces What Art Does: An Unfinished Theory, Brian Eno’s first new book in twenty-nine years, written in collaboration with Dutch artist and novelist Bette Adriaanse.
SО̄ON :: Actions Made Audible (Electronic Sound)
It’s a meditation within a meditation, nested inside a larger invocation that defines the essence of Actions Made Audible—a work that firmly places itself within the Berlin School of music. Precision-engineered machinery with analog Mellotron tape loops feature layered structures, ambient textures, and an introspective flow.
Philippe Petit :: Closing Our Eyes (Crónica)
At its core, Closing Our Eyes is an acoustic transformation through electronics—organic sound is deconstructed, reshaped, and reanimated into something beautifully unclassifiable.
Kate Carr :: Rubber Band Music (Flaming Pines)
Done literally with everyday objects you could find in anyone’s garage, Kate Carr’s Rubber Band Music exploits the various pitches and timbres you can obtain from rubber to then manipulate them via electronic means.
Luxus Varta :: Magnetic EP (Specimen)
Magnetic showcases Luxus Varta and his ever-developing sound. Constructing the sextet, elements of breaks and electronica are folded into his overarchingly electro sound. Dark tones and clever compositions from an artist garnering deserved attention from both labels and listeners alike.
SKOTÓGEN :: Of Shadow Landscapes (Self Released) — [concise]
These six expansive tracks feel suspended in time—meditative and immersive—where reflective dark ambient passages and timeless dronescapes stretch into a surreal echo of the world around us.
Ndorfik :: Binary Echo EP (People Can Listen)
Binary Echo isn’t just a nod to IDM’s golden era—it’s a graceful synthesis of what once was, now refracted through newer tools, sharper machines, and an artist’s skillful touch.
Sigillum S :: Aborted Towns, The Deadly Silence Before Utopia (Subsound)
A gripping, ominous, and irresistibly punchy power electronics album, laced with post-techno industrial flair. Highly recommended for fans of bold electronic experimentation, gritty industrial soundscapes, and chaotic breakbeats.
Recent Posts
Yu Su :: Foundry (Short Span)
SCALD :: Asphyxia (Industrial Coast)
Eko :: The Mirror World (Evel)
Yulyseus :: Nothing Under Heaven (n5MD)
Memory Effect :: Ritual Machines (Augment)
Puscha :: Not That Special (NEN)
Anhnch :: Cartography of Expression (Self Released)
MQSA :: Enmity Voidance EP (Self Released)
