Lost Cause (Part Two) is most definitely right up there with the Inkipak album as Mighty Force’s finest album to date. I’ve no doubt though, there’s more great things to come from the label.
Reviews
Boy Is Fiction :: Deeper Than Static (n5MD)
Boy Is Fiction extends both ends of the sonic spectrum: going deeper into complex, cinematic sound design for ambient passages and cranking up the intricacy of his glitchy, multilayered beats.
Oberman Knocks :: Conder-Rhyptik (Aperture) — Track premiere
Ravaged clicks and mangled machinery aplenty, Conder-Rhyptik packs a baffling punch to the senses; an impenetrable sonic foray sitting comfortably on the outer edges of an expanding universe
Nike_Vomita :: TUN011 (Móatún 7)
Glitchy strands morphed with an acid tinge, electronica, techno, and heavy bass thuds, found sounds and blissful melodies swirl.
rand :: Peripherie (Self Released)
rand offers minuscule audio Polaroids where abstract pitter-patter notes glide with highly-tensioned strings vibrating in the most unusually calming tangents.
James N Murray :: An Emerald Necklace (Dragon’s Eye)
Hidden complex beats, electronically restless, constantly shimmering about. The percussion pushes the whole thing just under the repeating melodies.
Greg Davis :: New Primes (Greyfade)
Greg Davis is exposing us to a work of simple tones made with prime numbers but with intention and purpose. Bravo for venturing into the small cracks of audio art that most don’t even see.
Precenphix :: Off-Axis (Not Yet Remembered)
Hinting at industrial, glitch, IDM, clicks, and disjointed cuts wrapped around technoid structures, it’s so jam-packed, that it’s a challenge to unfold each layer; this is a good thing.
Dead Melodies :: Memento (Cryo Chamber)
The emotional ebbs and flows are deliberate with guitar and piano speaking to our unconsciousness.
Ecovillage :: The Road Not Taken (laaps)
Overall, this release is a necessary reminder that we have gotten too far away from the intended, natural, human experience.
Illocanblo :: Maze (Rednetic)
There are albums that build up gradually, and then there are albums that simply propel like a rocket right from the start. Maze follows the later trajectory.
















