Experimental Electronic Music
Seamlessly morphing from live studio recording techniques to multi-instrument choreography, including modular and analog synths, digital synths, samples, and acoustic elements, Howard Givens and Madhavi Devi explore a mindful relationship with music, spiritual practice, and the self-healing arts.
A minimal movement that creates a sense of resolve and peace, like a mantra after a journey through the dark night of the soul.
Tides tells a story, has a vision, and is not just a collection of works as so many albums fell foul of.
If an AI were tasked with cross-pollinating Thomas Dolby with Photek, it might sound a lot like this funky, freaky, frantic masterpiece.
Imagine an enjoyment beyond your understanding; that’s what makes us curious about art. In that way, this record by Sunwarper (aka Los Angeles-based Michael Jakucs) makes me curious.
Whether APF7U is user friendly or not is debatable, nonetheless, User Friendly provides ample glitched-out and sliced’n diced electronics shifting from broken rhythmic forms to more coherent threads.
As a whole, Geirþjófsfjörður has a touch of the epic without being obtuse. It’s a fine balance and finely achieved….
After several dreamy ups and downs, in the end, artists Matthew Mercer and Matt Keppel are on to something; something almost cinematic.
INFOHAZARD exemplifies Renraku’s vision of releasing audible tectonic plates scraping against each other like we’ve not heard before.
Each passage is soaked in true feelings that chooses warmth to fill up our own negative space.
We Are Robots provides plenty of brittle collisions and polished sonic artifacts with curious melodies and briskly shuffled rhythms…
