Titled Infinity of Dreams, this effort is a hybrid of styles operating a crossover between neo-classical orchestrations, mystical-liturgic ambient obtained by various synthetic chords and slightly pulsating ritual music.
Author: Philippe Blache
LHAM :: Tertium Quid (Silentes)
Tertium Quid admits more emphasize on orchestrated cinematic grooves, chamber-pop melodicism, sampled collage, and spoken word with a clear call to be immersed in a reflective naturescape tendency, inviting the listener to be guided in a sentient vastness where shapes, time, moods, variations and colors are journeying around him.
Francis Gri :: Bruma (Self Released)
Francis Gri is the kind of sound artist whose work deserves to be discovered by a wider audience of ambient enthusiasts, seekers of tranquility, and those drawn to introspective, quiet moments at home. Much like an old friend, Bruma’s music offers comfort and solace, gently accompanying you through times of grief and personal reflection.
Dayin :: Meditations on Forgetting (Mahorka)
Meditations on Forgetting offers expansive, sorrowful ambient landscapes filled with granular noises, fluid droning electric tones, and synthetic oceanic waves.
Death-Static :: Time Is Ignorance (Sound In Silence)
Time Is Ignorance perfectly embodies the aesthetic and musical tone of the label, offering a collection of subtly organic and sentient pieces—blending processed acoustic patterns with lush textures, leaning partly towards melody while evoking a deep sense of serene melancholy.
Daniela Huerta :: Soplo (Elevator Bath)
An eerie, hypnotic atmosphere permeates Soplo, with its ambivalent, wandering melodies, flowing synth patterns, unpredictable experiments, and manipulations, all complemented by processed field recordings.
Cluster Lizard :: Herts (Prostir / I Shall Sing Until My Land Is Free)
The conceptual foundation of Herts draws from the tragic, heroic, and ritualistic aspects of soldiers’ behavior as they confront situations where their lives are constantly at risk, their foundations are destabilized, and the ever-present shadow of death looms over them.
That Which Is Not :: Wearing Serpents like Garlands (ROHS!)
Defined by an intricate layering of instruments, particularly within the classical music realm, which are then transformed and reshaped through the use of vintage electronic devices, adding a unique depth and texture to the acoustic arrangements.
Nimh & Onasander :: Unveiled Lights (Fluttering Dragon)
Unveiled Lights’ tapestry of sounds will ravish fans of silky drone tones and spacious electronic sonorities from Lull, Vidna Obmana, Phelios, Steve Roach, Ajna, Forest Fang, Numina, and Caul.
Leit Motif :: Vestige (See Blue Audio)
The year starts in a good way for the chill-out vibe of ambient music and this album can already compete among the best of the genre. A powerful and oceanic immersion through sparkling tone colors and sinuous spacious melodies.
Derrick Stembridge :: Fading into What Remains (Labile)
A vibrant blend of rich textures and cybernetic, pulsating rhythms emerge from the depths, accompanied by altered vocals and hypnotic, futuristic soundscapes. These elements guide the listener on an exhilarating journey toward authenticity and redefined beauty, within a vast, multi-dimensional, and sensory-rich reality.









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