Experimental Electronic Music
Welcomed by the superb quiet details label—responsible for classics in sculpted minimalist and lush dronescapes—Weeds is an other captivating, perfectly executed, and subtly moving, serene, granular sound experience for day-dreaming and serious meditative inner levitations affected by lonesome souls.
Ecotone is a beautiful, serene, delicate, and compelling soundtrack which operates a great dialogue between contemporary classical and microtonal music with an electronic edge.
Sacred Sorceress reveals a great dose of ideas and subtle variations, navigating between pure electronic minimal abstraction, evanescent meditative flows, to more grounded monolithic rock riffs. Some spoken words and a vast array of samples are also used to reinforce the cinematic aspect and to make it more impactful.
Tineidae is the moniker of Pavlo Storonsky, a sound producer whose style embraces cinematic textures, synth waving pads, and hypnotic-electro grooves, often immersed in dystopian sci-fi territories for the emotional and aesthetic inclination.
Intentionally multidirectional, incorporating a lot of influences and original elements to deliver something catchy, unsettling, and moodily atmospheric, “[channel]” encompasses a punchy doom-laden hypnotic dancing trip punctuated by ominous ambient textures of sci-fi cinematic quality.
Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
Blurred Cities presents an engaging and brilliant sound excursion, crafting poignant pieces with a slight departure from his usual sorrowful dusty neoclassical ambient in favor of more hypnotic and discreetly beat-laden ambient chills.
All in all For A Fleeting Moment is a serene minimal lowercase ambient exploration that will ravish followers of zen-inspired ambient aesthetics from classy Japanese sound designers such as Hiroshi Yoshimura and Yoshio Ojima, but also those who come across the production of LINE Records (notably referring to the slow motion sound architectures of Manja Ristić, Richard Chartier, and Olivier Alary.
More heavy and power electronics are used as main architecture, punctuated by processed acoustic elements, retro-futurist tribal drums, doom-laden organ chords, micro noises, and nihilistic vocals, wordless and narrated.
![Allmanna Town :: 1911 EP (Self Released) — [concise]](https://igloomag.com/wp/wp-content/uploads/2025/03/allmannatown-1911_feat2-75x75.jpg)
