Experimental Electronic Music
Matti Bye explores the intrinsic musicality of cinema and inner moving images within a captivating and distinctive style where relaxing lounge orientation meets complex modern jazz interferences; the whole thing connected to densely textured ambient excursions.
Beautifully soothing, diaphanous, and inviting. This album can seduce anyone into touchingly evocative soundscapes for lonesome moments in introspection.
Thus we navigate through deep then sidereal synth-scaping sound waves sustained by micro beat-laden pulses and various textured manipulations to provide a sense of sonic engulfment.
Clearly enjoyable for a quiet home listening session on a rainy day, and ultimately a contemplative delight for your daydreaming moments.
Appealing and introverted feelings pass over the full album, trembling at the sounding surface with a hazy solemnity. Colorful and warm, the soundscapes are spiritually nurturing; enriched by subtle melodic lines and cultivate a sensation of freedom and lightness.
This album is fresh, colorful, and flush with innovative ideas that are recommended for lovers of challenging IDM, microhouse, motorik electro musik, as well as kinetic abstract ambient minimalism and ascending romantical piano music.
Consequently, we are immersed in slow-moving textured ambiances punctuated by aleatoric piano motifs and diverse sources of manipulation. In itself, the music tends to be conceptual and cerebral but beautifully enveloped by absorbing sentient waves.
The Itself of Itself corresponds to the most obscure and psychoactive abstract and radical tendency of Bass Communion’s music.
