I am carried about on the circularly flowing strings within dim and transparent emerging elements and an odd mixture of electronic textures, granular and glitchy, and decorated with humorous abrupt collages.
Tag: Post-Rock
Panoptique Electrical :: For Years (Sound In Silence)
This is synthesized drone with the addition of processed chordal timbres that are longitudinal and unobtrusive. Some sparse and detached crystal-like piano touches are also perceptible, covered by diaphanous, shimmering, and electronically generated vocal timbres.
Cosmos In Collision :: The Passage Of Time (Sun Sea Sky)
Sometimes the constant listener might be passing right through the lines between ambient-electronica and post-rock, with layers of shimmering synths and gone distant etherial guitars.
SineRider :: Perennial (Sound In Silence)
Sometimes, leaning heavily on the synthesizers, more on the piano, sometimes melodies shimmer around the corner, just as they can be entirely abstract. All of this is done with one objective, and one that he reaches: to play some excellent fine mood music.
David Newlyn :: Encouraged To Lose (Sound In Silence)
Each of these five pieces shows a melodic drift, slow, hazy and shimmering in the background. It’s like an organ melody set against the blurry tones of whatever else is happening, which can’t be easily heard.
Nocturnal Emissions & Barnacles :: From Solstice to Equinox (Klanggalerie) — inter/eview
Nocturnal Emissions and Barnacles have invited us to embark on an interstellar journey, urging us to question our place in the cosmos and embrace the boundless possibilities of the unknown.
Zakè · Markus Guentner · James Bernard :: Pyramiden (Zakè Drone)
A dialogue is set up between the cadence of ambient drone and the cascade of post-rock (rock sublimated) with an array of textures and strata perfused in a kind of slo-mo wide-sky outfolding.
A chat with Seefeel’s Sarah Peacock
An interview with Sarah Peacok (Seefeel) by Wilder Gonzales Agreda from July 2021. Reprinted with permission (Vanguardia Peruana).