Malarki’s full length album for Errorgrid titled Asunder is full of bursting and brittle electrical fields, delivering an impacting sonic punch of soundtrack behemoths and shuffling industrial textures.
Tag: Noise
Myoptik :: Gofunga! (Mighty Force)
With a plethora of electronic distortion and semi-coherent sound structures carefully collapsing, Myoptik doesn’t hold back on Gofunga!
Chad Mossholder :: Haptic Clouds (Schematic)
Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripherals.
Jettenbach :: A Voicenote To The Hierophant EP (Ryu)
Intoxicatingly surreal darkened structures to push us forward.
Felipe Vaz :: Architecture and Distraction (Evel)
Fast beats and non-rhythms flicker and fracture, revealing what appears to be the unpolished insides of the tools employed during the creative process.
Hex Wolves :: High Order Ov Loud (Component)
A bewildering compilation of fifteen tracks, High Order Ov Load teeters on the brink of electronics and breakcore while remaining firmly on the dark side.
Exan :: Offset One EP (Errorgrid)
Offset One wraps things up in just over 30 minutes, yet it has enough energy to fuel an entire album.
Michael Valentine West :: comp/COMP (uvg212)
You might even draw parallels to the early works of Mouse On Mars, Autechre (“Gantz Graf” era), or even Richard Devine’s industrial-leaning sandblasted synthesizer techniques.
Synthetic Ecology 2 :: Finding the edge, some thoughts about ‘experimental music’
Experimental music can mean many things—often tracks are beat-less or off-beat, atonal or noisy, or in some way either more or less dense than other genres. My point is not to establish orthodox genre boundaries.
exm :: fjirtich (Self Released)
It’s almost as if these soundscapes are about to collapse; microscopic rhythms vanish and a skeletal outline is all that remains in its final minutes.
Meat Beat Manifesto & Merzbow :: Extinct (Cold Spring)
This is not a collaboration you thought could happen or would happen. Extinct reminded me a bit of the more noisy performances at the legendary Maschinenfest festivals I’ve attended over the years. Like pre-Hands ORPHX or early Synapscape. Become reacquainted with some beautiful music / rhythmic noise.

















