The Magic Carpathians Project have released a number of enchanting albums and recordings since 1998, but Khemia, from 2019, is perhaps their most transformative. It pairs well when listened to back-to-back with the new 2024 release Alchemeia from the ever prolific Scanner.
Tag: Noise
Malarki :: Asunder (Errorgrid)
Malarki’s full length album for Errorgrid titled Asunder is full of bursting and brittle electrical fields, delivering an impacting sonic punch of soundtrack behemoths and shuffling industrial textures.
Myoptik :: Gofunga! (Mighty Force)
With a plethora of electronic distortion and semi-coherent sound structures carefully collapsing, Myoptik doesn’t hold back on Gofunga!
Chad Mossholder :: Haptic Clouds (Schematic)
Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripherals.
Jettenbach :: A Voicenote To The Hierophant EP (Ryu)
Intoxicatingly surreal darkened structures to push us forward.
Felipe Vaz :: Architecture and Distraction (Evel)
Fast beats and non-rhythms flicker and fracture, revealing what appears to be the unpolished insides of the tools employed during the creative process.
Hex Wolves :: High Order Ov Loud (Component)
A bewildering compilation of fifteen tracks, High Order Ov Load teeters on the brink of electronics and breakcore while remaining firmly on the dark side.
Exan :: Offset One EP (Errorgrid)
Offset One wraps things up in just over 30 minutes, yet it has enough energy to fuel an entire album.
Michael Valentine West :: comp/COMP (uvg212)
You might even draw parallels to the early works of Mouse On Mars, Autechre (“Gantz Graf” era), or even Richard Devine’s industrial-leaning sandblasted synthesizer techniques.
Synthetic Ecology 2 :: Finding the edge, some thoughts about ‘experimental music’
Experimental music can mean many things—often tracks are beat-less or off-beat, atonal or noisy, or in some way either more or less dense than other genres. My point is not to establish orthodox genre boundaries.
exm :: fjirtich (Self Released)
It’s almost as if these soundscapes are about to collapse; microscopic rhythms vanish and a skeletal outline is all that remains in its final minutes.










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