Experimental Electronic Music
With its emphasis on subtle variation and harmonic innovation, Loop 7 is a compelling listen for fans of experimental music and microtonal compositions, inviting deeper engagement with every spin. This is a standout release for both Golub and Greyfade.
Northern Mexico’s Facade Electronics’ annual compilation titled Sampler IV (aka Sampler IV. Present and future. Facade Electronics 2020-2025) shifts into their fourth of the series, representing fourteen tracks that spark and shimmer at all the right angles.
Upon listening to Bernhard Living’s output, the music is extremely minimalistic and doesn’t actively try to be challenging in some way; so with how little there is that’s happening, I immediately knew that this was coming from someone who knew what they were doing.
Mosaic is yet another valid addition to Fennesz’s already spotless catalog. Among the many ambient records I’ve heard this year, Fennesz thankfully reminds us of what ambient music can be when it is done in an original way, rather than offering the usual pulp of clean synth pads with some string arrangements.
Just in is news of continuation of a new chapter on Nettwerk with the release of Ash, rounding off his EP trilogy, initiated with Eev (igloo-’viewed) and Aer, with its conceptual theme of a ‘life arc’ from exciting new beginnings to the darkness of dealing with life’s challenges.
Followers of sonic miniatures and impressionist contemplative ambient escapism from Lee Hannah, The Green Kingdom, Omni Garden, Yoshimura, and noda yûki should take note. Minimal […]
The duo seamlessly navigate complex coordinates of technique and technology, art and skill—weaving them into their own distinctive aural fabric.
Svanire is a delicate atmospheric album, a quite recommended experience for those who cultivate this taste of Zen in their own existence; a musical window to restore the soul with delicate harmonies. Sound therapy of bitter sweet melancholia to enlighten the heart.
MÖRK—which means darkness in Swedish—is a vertiginous and spiritually enthralling dive in deep bass cello tones, minimally improvised guitar sequences, long sweeping electronic sounds, and hypnotic loops.
Druk Monet, as a result, offers an unusual audible assortment—nothing particularly foul—that’s equal parts mechanical and organic, and all the while fascinating.
The result is captivating, thoughtful, emotive, strange, and navigating through cerebral sound waves, smooth atmospherics, moody-esque sculpted improvisations to radical rhythmically-orientated and almost glitch-like experimentations.
