This summer, Aphex Twin chose D’Arcangelo to open for his show in Verona, Italy. In other words, this is the perfect occasion for a thorough retrospective interview with the experimental twins.
Tag: Glitch
Mōshonsensu :: Izanagi & Izanami (Self Released)
Once in a while a release lands in your ears that grasps you and won’t let you go, and this time for me it’s Izanagi & Izanami by Mōshonsensu.
2view :: 4T Thieves & Cognition Delay (Mahorka)
Both albums reveal abstract electronics and downtempo layers with Abdicant and Pandacetamol remixing tracks on 4T Thieves’ album.
Obelisk Ruins :: Thought-Vision-Doubt (Katuktu Collective)
Blissfully encapsulated psychedelic downtempo from the past inside the present.
Dragon :: Sonance Manifold (Point Source Electronic Arts)
Pummeling percussive onslaughts, post-industrial glitch extracts, and condensed data processing seem to be the focal point, while Dragon’s persistent and futuristic audio/visual scope operates at the highest level.
Aelk Minsur :: Ground Redux (Self Released)
The Arizonian continues to find buried treasures in the form of bumpy dark-beat morsels, agitating and stirring them to create surreal and dystopian landscapes.
elshuffles :: Who Bang The Noise (Safety)
Who Bangs The Noise offers fifteen tracks, tangling a myriad of found sounds, subtle clicks, and atmospheric layers traversing an emotional power.
V/A :: Fifteenth Listen (People Can Listen)
Bright and bubbling, turbulent and treacherous, cascading and colliding, each piece dives into rhythmic transformations, somehow linking to form flexible electrical connectors that we continue to gravitate towards.
Global Goon & Ossa :: Bruit Électrique (Waxing Crescent)
A blisteringly surreal traverse through the fabric of braindance and all of its unique permutations.
Jodövade :: Nebulous Reality (EC Underground)
Nebulous Reality is a foggy downtempo and percussive collection unafraid to draft a new sonic voyage.
Derek Michael :: Enroute 1 (Detroit Underground)
Listening to the album on the road has been a great experience—the use of abstract electronic flutter, strange blips and bleeps, and punching bass, beats, and blistering rhythms is astounding.

















