Experimental Electronic Music
Omniverse is otherworldly in a futuristic and Sci-fi kind of way, yet it holds all those classic sounds emanating from a 1980s inspired European synth sound. From this release an intricate soundtrack emanates, often touching upon the fringes of techno rave, yet it never sounds recycled in any way and holds its own originality.
The album starts off with fluctuating IDM and beat-infused choruses to jazz-blasted and grooving hip-hop sound sculptures, and eventually transforms into dreamlike fragments that appear to have no end and no beginning.
These scorched and often blistered sandstorms are pulled together with a soundtrack-infused sheen, as if intentionally meant to rust and permanently damage itself along the way.
Sandblasted electronics mixed with shattered glass and corrosive blips’n bleeps, Demo Vectors acts as Kero’s raison d’etre as each piece eclipses itself.
These are sounds of silence—signs and signals scattered on desolate landscapes, unusually lifelike with organic substructures made audible to the human ear.
A grandiose conception of musical drama, set with psychological developments within a collection of unique plots. Think futuristic soundwaves, distorted developments that explode into surrealistic temporary dance like themes, while also dropping into the calm.
With best intentions—no seat belt is required with this release, instead allow yourself to free fall at the speed and in the direction A Typo I Feed Iris Noll has meticulously premeditated in this influentially inspired piece that has more than enough legs to stand next to the giants before him.
The pieces that make up Amaro are what happens when you take a bunch of citrus and herbs and ferment them together, and then distill them. “Trafic” video premiere.
Koreless proves with Agor that he has become a master of his craft by exciting the listener with different aspects of sound design and structure. Unconventional in all the best ways. A future classic right here.
The notions of psychic change and individuation processes are central and beautifully interpreted in vaporous and subliminal soundscapes which play with incremental progression, movement, motion and pattern.
All manner of scorched dark beats and bass are ravaged on Traces and what lies just beneath the drum onslaught is a thin droning soundscape that is both eerie and brooding.
