Without the limitations of an hour-long set or the expectation of a dancefloor, Two Hours Or Something showcases what happens when two such artists can cut loose for days on end and test the limits of their imaginations.
Tag: Electronics
Kenneth Kirschner :: Three Cellos (Greyfade)
The sonic language employed on this album benefits from an approach tempered in years of serious classical musical scholarship.
Not Even Noticed :: Acid Illusion EP (Who Is Paula)
Not Even Noticed (aka Carsten Fluck and Lucas Lejeune) should gain some additional traction despite their penchant for more danceable electro-nics than I’m used to writing about.
Jettenbach :: A Voicenote To The Hierophant EP (Ryu)
Intoxicatingly surreal darkened structures to push us forward.
Lectromagnetique :: Exodus EP (Lectromagnetique)
It sounds like Lectromagnetique is summoning the dead to perform these enigmatic and scorching electronics.
Andrey Kiritchenko :: Maria (Touched Music)
A truly magnificent and exquisite illustration of influential electronics for the year 2024.
scav :: The Second (Mahorka)
scav finds solace in peculiarly compelling minimized clicks and cuts where skillfully weaved ambient noises mingle with darker soundtrack elements producing pleasant tones to the core.
The Radio Phonics Laboratory :: Telecommunications, Speech Synthesis and The Birth of Electronic Music
Exploring the intersection of technology and creativity that shaped the sonic landscape of the 20th century. This fascinating story unravels the intricate threads of telecommunications, from the invention of the telephone to the advent of global communication networks.
Squarepusher :: Dostrotime (Warp)
Dostrotime strikes with bold tracks that are not afraid to go all in, whether that’d be with their explosiveness, intricate live playing, or insane drum spasms.
Rafael Toral :: Spectral Evolution (Moikai / Drag City)
This album sees Rafael Toral manipulating various sound sources to create a vast piece that goes through really, really slow chord progressions, but echoes with such wonderful textures and dynamics that it becomes almost transcendental.
Keith Fullerton Whitman :: Presque Là (Self Released)
The use of the standard music trifecta of bass, drums, and melody does ground these pieces in the familiar, yet the way Keith Fullerton Whitman has broken these out of their mold means what he is doing is still risky and groundbreaking research.
Recent Posts
Netherworld :: The Hermit (Glacial Movements)
Bitbasic :: The Cosmological Constant (Glitchpulse)
rheom :: _ 729.root (Polygon Network)
Yu Miyashita / Yaporigami :: IDM Collection 21-25 / The Structure of Silence (The Collection Artaud)
Morphtables :: Absurdance (Mestnost)
Vijunns :: 1991 (Hyperreal Projects)
S. Salter :: Ara EP (Plusha)
Marco Simioni :: MSdrift++ EP (Fear of Silence)
