On Leaving contains a set of vintage variances, soothing drone tracks that are in ways abstract yet deceptively organic in nature. Minimal composition together with low pitches and recursive sets of sound contribute to this soothing effect.
Abstract yet deceptively organic in nature
Richard Chartier’s On Leaving is an excellent album comprised of subtle, minimal, old-school drone pieces dedicated to the late Steve Roden. “Variance.1” begins as a light noise whir accompanied by glitchy, reverberant clicks. Gradually an oscillating two-tone pattern, run through a sort of flange effect, is added—hearkening back to music from the original peak of drone music, before the turn of the millennium. “Meshing questions of stasis, pulse and timbre,” as the press-release states accurately.
“Variance.3” starts with a lower-pitched murmur. Washes of noise, in soothing cycles, are mixed with this low drone. The track is calming both in that the humming sounds are consistent and cycle with some regularity. The volume increases throughout, and about halfway through, a sense of progression is suggested by the appearance of a higher-pitched tone.
“Variance.4” also begins with a deep, steady vibration. Listening more carefully, we begin to notice subtle, higher harmonics. A deeper oscillation cycle is brought forward, throwing the static nature of the drone in question. Tonal phrases are combined, resulting in a humming pulse. The track ends with a graceful, slow fade.
Overall, On Leaving contains a set of vintage variances, soothing drone tracks that are in ways abstract yet deceptively organic in nature. Minimal composition together with low pitches and recursive sets of sound contribute to this soothing effect.
Dedicated to Steve Roden (1964-2023)
On listening… on loss… on leaving…
As Steve and Richard mutually suggested… “for quiet amplification or headphone listening.”
(Richard Chartier, February 2024)
On Leaving is available on Touch May 24, 2024. [Bandcamp]
