A subtle yet important addition to any experimental electronic music collection, Xephem definitely embark on earlier sonic artforms with a futuristic twist on Runtime Eater.
Tag: Electronics
VAAG :: Perfect Imperfection (Point Source Electronic Arts)
A centerpiece for the infinitely glitch-filled panoramic of 2024.
Yard :: Field Recorded (Yard Rec)
At times some birds join in, overall compared to the tracks before that, I hear a softer wind sound and enjoy the sensation of extended existential ambience.
Ton Mise :: Moon Behind The Eyelids EP (Satellite Era)
An incredibly captivating extended player that reimagines electronica from a few decades ago and revitalizes it in the Roaring Twenties.
Derek Michael :: Tunnels (Detroit Underground)
An intense and heavy-hitting album that pushes the boundaries of experimental electronic music.
Hex Wolves :: High Order Ov Loud (Component)
A bewildering compilation of fifteen tracks, High Order Ov Load teeters on the brink of electronics and breakcore while remaining firmly on the dark side.
Christian Kleine :: Environmental Cure (Self Released)
Christian Kleine’s tenth album is a pleasant departure from the standard; deftly showcasing electronics of the late nineties and immersing them in an emotional and sonic instrumental stew.
Frank Riggio :: Dri (Hymen)
Developing a completely original style, the album feels cinematic and overflowing with a variety of intense field recordings and transformed found sounds.
Ian Boddy :: Modal Operandi (Quiet Details)
Modal Operandi is a fulfilling listen. Tracks bear fruit through melodic complexity and the inclusion of quiet, often minute details that can be more and more readily detected on repeat listens.
Michael Valentine West :: comp/COMP (uvg212)
You might even draw parallels to the early works of Mouse On Mars, Autechre (“Gantz Graf” era), or even Richard Devine’s industrial-leaning sandblasted synthesizer techniques.
Synthetic Ecology 2 :: Finding the edge, some thoughts about ‘experimental music’
Experimental music can mean many things—often tracks are beat-less or off-beat, atonal or noisy, or in some way either more or less dense than other genres. My point is not to establish orthodox genre boundaries.
Recent Posts
The Music Liberation Front Sweden :: Lost Hope Society (Subexotic)
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
F~M :: Fose (Old Technology) — [concise]
Poladroïd :: Accelerate EP (Roulette Rekordz / Selvamancer)
2View — memorysound/Fading Bright & Spectrical/Litchfield (Perceptual Tapes)
Vera V Almgren :: I Det Vassa Ljuset (Istid)
iNFO :: Sorry I Didn’t Realize (Touched Music)
V/A :: ZEROTHREE EP (Black Shapes)
Janus Rasmussen :: INERT (Embassy One)
