Experimental Electronic Music
Appealing and introverted feelings pass over the full album, trembling at the sounding surface with a hazy solemnity. Colorful and warm, the soundscapes are spiritually nurturing; enriched by subtle melodic lines and cultivate a sensation of freedom and lightness.
Almost everything about this LP is really engaging and well executed. It nails its details, there’s so much variety in the longer tracks that it’s difficult to feel bored by their repetitive atmosphere or palette, as all the variations or added textures f5point6 displays make these tracks work incredibly well.
Consequently, we are immersed in slow-moving textured ambiances punctuated by aleatoric piano motifs and diverse sources of manipulation. In itself, the music tends to be conceptual and cerebral but beautifully enveloped by absorbing sentient waves.
Some sort of obscure, magical ritual this is; surely an engaging one, as this Tam Lin LP tries to immediately hypnotize you as it begins. It does succeed, indeed, as you’ll likely be asking yourself what is happening throughout the entire album.
Sometimes the constant listener might be passing right through the lines between ambient-electronica and post-rock, with layers of shimmering synths and gone distant etherial guitars.
The way the drones and nature sounds blend together produce a noticeable, primordial outcome that is practically terrifying as Midsummer, London explores morbid emotions like […]
Double review for zakè’s B⁴+3 (Zakè Drone) and zakè & Benoît Pioulard’s eve (Past Inside The Present)—proceeding to windblown drones and bells tintinnabulating across the sound field.
Rough echoes and distortion are sliced into crumpled electrical sound fields that finally fade into oblivion—each selection an extension of itself.
Capturing light sources to create calm atmospheres, the featured compositions are as nostalgic as they are contemporary and offer quiet tidbits for a wonderful diversion.
This new version of niemandsland has ten titles, with alternate versions for a total of seventeen tracks. This is a twenty year old ambient recording revisited using modern tools, the original version was self-released in 2006.
The Itself of Itself corresponds to the most obscure and psychoactive abstract and radical tendency of Bass Communion’s music.
