Experimental Electronic Music
There’s something sleek, fluid, and neuro-electronic unfolding within Roel Funcken’s sonic realms. A master of abstract rhythmic manipulation, the Amsterdam-based audio architect continues to shape complex, captivating compositions with seemingly effortless precision.
This body of work stands as a singular achievement—uniting fractured percussion, deep low-end gravity, and razor-sharp production. Each piece resonates simultaneously as a cohesive statement and a series of singular visions.
Ukrainian producer Andrey Kiritchenko, a deft multitasker, revisits early rhythmic IDM roots on Rust Trust, blending fleeting beats with subtle vocal flourishes.
A lean, potent assembly of forward-driving electro-nics, Contact Protocol stands as a formidable blueprint of timeless audio architecture—each track a microcosm of future-forward engineering and past-memory echoes.
Through every granular texture and skewed rhythm, Planet Mu reaffirms its place as one of electronic music’s most vital and visionary institutions.
Something deeper pulses beneath the surface here—Marshall Applewhite deciphers alien transmissions and machine-born structures through Out Through The Mouth, where technoid ruptures ripple around an atmospheric glitchscape.
With a seamless blend of fluidity and expansiveness, Ocean of Space channels raw machine soul through textured rhythms and vivid melodic fragments.
Fuck The Legal Stations is both time capsule and time machine—a heavy, heady transmission from the past that looks defiantly forward, remixing the rubble of yesterday’s underground into tomorrow’s auditory blueprint.
The Future is Plastic, as a whole, channels a throbbing, forceful strain of electro-nics certain to captivate followers of Central Processing Unit, brokntoys, Shipwrec, and Clone.
The Way of the Dog stands as a tribute to the enduring legacy of martial arts cinema, drawing its spirit from the golden age of kung-fu films that defined the last century.
