Experimental Electronic Music
I’m really enamored with how Xylitol always manages to merge these two completely unrelated universes, the almost new age aesthetics with the energy and franticness of the breaks, sometimes to a point where they don’t even merge, rather they seem to be playing separately and turn into a completely overwhelming experience.
Sin Ciclo skillfully combines downtempo elements with breakbeats; sprinkling nostalgic electro fragments and melodic threads with pummeling effects.
Presenting an array of emotive tunes that show how delicate and sensible Mike Paradinas’ way of composing music, which not only emanates positive and rather light approaches in music expression, but makes a statement on how electronic music can be graceful and yet intriguing.
Pera Sta Ori returns to his roots with rave, breaks, and jungle soundscapes on the four-track EP, Hix Hax, for To Pikap.
So while some tracks are more uplifting and others are mostly immersive, the aesthetic bond is M-Paths’ particular way of choosing timbres, effects and textures and laying down the melodies.
A 5-track release that shows his sonic versatility as he produces a dark and cinematic A-side versus an IDM/electro oriented B-side.
Dostrotime strikes with bold tracks that are not afraid to go all in, whether that’d be with their explosiveness, intricate live playing, or insane drum spasms.
Although MOY has its creative foundations based on important aesthetic references, he’s not afraid to fuse different genres, which is another quality to his character.
