Experimental Electronic Music
ENDROLL is an EP that weaves together a landscape of multi-instrument improvisations. The genesis of this album began with the question of whether all music needs a beginning, and instead, to hypothesize on whether music could still retain intention when drawn from a place of “finality.”
“Qu4drilogy is a concept work for four albums by Frank Riggio iggio. The concept is fully finished with the additional album Versions / Outtakes—released exactly one year after the first part was published.”
Placing special emphasis on creating piano flavored ambient meditations capturing the moment, these compositions are splattered with improvisation and chance. Iván Muela is fascinated by the way technology can become an essential part of the compositional process.
On Alive In Wonderland, Dalham (aka Suffolk countryside-based and London-residing Jon Michaelides) shifts slightly from his prior style of gauzy sound spheres and broken beats to slow motion, BOC-infused psychedelic semi-electro shapes.
Scarper takes a high-octane approach to his already accelerated exp-electronics trajectory.
Robert Henke, founding and sole member of the legendary Berlin experimental techno group Monolake and co-founder with (former Monolake partner Gerhard Behles and Bernd Roggendorf) of Ableton Live, the groundbreaking software company that took aspects of loop-based electronic music from a semi-obscure corner of music production and turned it into a driving force of musical creation as one of the top tier DAWs (Digital Audio Workstations) in use today.
Ümlaut (aka northern Connecticut-based Jeff Düngfelder) elevates An Auxiliary View, delving light years into transparent soundscapes, expansive musique concrète, microscopic glitch mechanisms, and static pulses for the consistently adventurous Audiobulb imprint.
A superbly designed extended player with detailed, granular sonic extensions to make us all feel at ease. Ethereal drones and finely delineated IDM morsels DoorHead’s […]
