Experimental Electronic Music
Untitled brings a form of fantasy music where society or environment is imagined in an advanced technological and scientific age exploring the universe, time, future tech, and humanity. The monstrous and crazy hypnotic repetitive sound is the art of the impossible, famously indistinguishable from magic, a way to test new ideas and take tomorrow.
Across its duration, A Wave Of Alarm navigates the long architecture of inner turbulence, invoking something akin to a dark night of the soul: a descent into fertile voids where collapse and liberation begin to mirror one another.
Joachim Spieth’s Blended is a slow-burn study in restraint, where cavernous low-end, suspended atmospheres, and negative space converge into a deeply immersive, late-night listening experience.
Markus Guentner and Joachim Spieth reunite for Conversion, their second collaboration on Affin, blending ambient expanses with dub-driven detail through a contemporary lens. Minimalist yet immersive, the album balances rhythmic depth and atmospheric stillness, reflecting the artists’ shared roots in early ambient, dub, and deep techno while continuing their distinctive sonic evolution.
Concave Reflection, Kindtree, and Millia formed the trio Purelink in 2020 to create music they couldn’t make alone. Blending ambient dub techno with glitchy textures, subtle beats, and dreamy atmospheres, their sound is slow, hypnotic, and immersive. Their latest album titled Faith deepens this style, mixing acoustic tones, brittle drum ‘n’ bass rhythms, and poetic vocals into a lush, drifting soundscape made for quiet introspection.
Tempus Remixes (Mute, 2023) is a collection of four remixes from Pole’s Tempus (Mute, 2022), featuring Sleaford Mods, Rrose, and Alessandro Cortini.
This tribute is for Pete Namlook. To honor his memory, I brought together several artists who had worked with him or released music on his label. It has been an intense labor of love spanning nearly two years, and I am profoundly grateful to everyone who contributed their sounds, their hearts, and their spirit to this project. ~Lorenzo Montanà
Battens envelops the listener in a grayscale world, one that is cold yet somehow comforting, like the stark beauty of an overcast November afternoon.
Characterized as “10 tracks of technoblues,” Oizys, the album, follows very much in the vein of the previous Shrapnel, a lowlight minimal variant redolent of some early ’00s Berlin-inflected dub-tech/tech-dub releases.
The Dubnihilist returns with five tracks of dense downtempo dub techno; Friday 22:05 has four versions of the title track—two of which are remixes by Mono Peninsula and Autonomaton
Signs captures Purelink’s alchemy at its most liquid and immaterial, mapped in mutations of glitch and glass, rhythm and sound, drum and space by turns subdued and subterranean, elevated and remote.
