All in all, the experience this mix offers is, indeed, really immersive. It’s a smooth ride all the way through, with certain standout moments and enough variety to keep itself engaging at all times.
Recent Posts
Lectromagnetique :: Eschaton EP (Lectromagnetique)
The power of a rumbling locomotive with interwoven technoid laser beams and plenty of slithering robotic rhythms.
Uf0 :: Uf0 (Fourier Transform)
García sculpts his sounds within the frames of acid, braindance and electro with obvious influences from breaks and IDM. What can be surprising is the length of pieces, few running over the four minute mark. Despite their brevity, these are works bursting with emotion and energy.
Nebulo :: Gobelin Stitches (Evel)
Gobelin Stitches only manages to reinforce Nebulo’s strength and capacity to rediscover raw musical ideas and stitch them into hundreds of unique spatial coordinates.
Music Mondays 016 :: Klang of the Clavioline and Style of the Stylophone
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide […]
MOY :: Supermassive EP (Analogical Force)
On Supermassive, the faint sizzling sounds of electro, braindance, and acid mix together in one solid arrangement that’s been in constant rotation.
quadratschulz :: Halo Welt EP (Analogical Force)
Even a year later, quadratschulz’s Halo Welt EP from November 2023, which consists of four tracks over 21 minutes, is still a reflective trip through time.
So Much Blood :: Raw Øblations 7: Gold Tooth (Errorgrid)
Easily a highlight of the series, the forthcoming compilation finale will include all seven releases rolled up into one high-powered assemblage. Watch out.
Shentov, Simitchiev, Lukanov :: Pain and Power (Amek Collective)
An affecting sonic fluctuation of dark ambient surrealism, and a highly recommended deep dive.
Celine Arnauld :: Prjct Cntnt EP (New York Haunted)
Crunchy rhythmic turbulence and unpredictable electronics make up this exhausting Borg-like set.
Featherstone :: Pivot (Ernest’s Way)
The A-Side contrasts the flip, beat patterns and samples recalling British machine experimentation with breakbeat and jungle. On the B, techno is the focal point with the Australian musician plumbing hidden depths.








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