Re-mastered with additional remixes, both Andy Paterson and Tam Ferrans collectively create an ambiguous flow of de-constructed electronic hip-hop that permeates within early-era Merck, Chocolate […]
Recent Posts
Emptyset :: Medium (Subtext)
This is really not a place you want to spend more time than necessary, and at only twenty-one minutes (though released as a full-sized CD […]
Under the floorboards of House :: Hakim Murphy & Amir Alexander
Amir Alexander and Hakim Murphy have a passion for House and Techno, a zeal coupled with a deep-seated knowledge of the genesis of both sounds. Explore the […]
Mala :: In Cuba (Brownswood)
The Jamaican-British Mala (born Mark Lawrence) was one of the South Londoners who put the actual dub in dubstep, and he handles this material beautifully, […]
Kreng :: Works For Abattoir Fermé 2007 – 2011 (Miasmah)
As we approach the end of 2012 it’s time for all those lovely independent record labels to indulge in fierce session of one-upmanship, pulling out […]
Machine Gun Militia :: Rebel Assault EP (Oeuvre)
Breathing new life into the all too often self parodied genre of dubstep, Rebel Assault demands your attention with superbly crafted beats and dance rhythms […]
ADN’ Ckrystall & Lives Of Angels :: Double review (Dark Entries)
Dark Entries‘ second home must be Europe. San Francisco, California is where the hearth is, but label boss Josh Cheon has a deep-seated affection for […]
Michael Begg & Human Greed :: Dirt on Earth: A Pocket of Resistance (Omnempathy)
Too dramatic, almost literary, to be called ambient, too idealistically engaged to be postmodern, Dirt on Earth: A Pocket of Resistance is a quietly roiling, […]
Noisyfilter :: Radiance (Lagunamuch)
The soundscaping ambiences are simultaneously luminous, static and magnetic, substantially developed as fluxuous waves, meditatively cyclical and admitting micro variations as well as processed electronic […]
Day Before Us & Nimh :: Under Mournful Horizons (Rage in Eden)
This is not a place to look for serenity or quietude, as the two grimly conjoin their respective musical arts in a paean to sadness […]
















