The region where Hinduism and Buddhism circle round one another both warily and enrichingly can be entered either by undertaking an actual journey or by […]
Recent Posts
c.db.sn :: ...At The End Of It All Remixed (Tympanik Audio)
Tympanik Audio administers a primed collection that defies specific explanation. It’s basically a matter of letting the gravity of this release take over as various […]
Exclusive audio interview with Valgeir Sigurdsson
Bit-Phalanx and Bedroom Community have exclusively given Igloo Magazine the full-length 20 minute interview for you to enjoy, in which Valgeir talks about his vast […]
AES Dana :: Pollen (Ultimae)
Darkly seductive yet luminous and uplifting, Pollen will definitely work on the more intelligent and eccentric dance floors out there, but will be even more effective and […]
Patscan :: Stum Futter EP (Digital Distortions)
As a package of rugged electro and experimental industrial, the Stum Futter EP is the perfect blend for late night after-hours where the groove is […]
To Destroy A City :: Rebuild (n5MD)
As a collection of remixes, Rebuild pours its tranquilized melodies and effervescent moods gracefully as each musician re-configures the already subdued pulse of the originals. [Release page] Seven tracks spread across […]
Hibernation :: Second Nature (Interchill)
Carefully using all kinds of colorful ingredients from the far-flung regions of the musical spectrum, Seb Taylor expertly weaves glitchy IDM-ish downtempo electronica with hazy […]
Mark Forshaw / John Heckle :: Double review (Tabernacle)
Tabernacle Records has, since opening its doors, focused on the three pillars of machine music: Techno, House and Electro. Where many labels have surrendered to fad; […]
Talvihorros/Damian Valles :: Monuments and Ruins (Textura)
Talvihorros fills his hollow body with tugged heart strings, acutely firing synapses and hot breath, while Valles is more abstruse and belaboured, as we “hear” […]
Brambles :: Charcoal (Serein)
Thanks to Brambles’ sensitive ear for melody, Charcoal elicits far deeper, more emotionally complex responses than many analogous modern classical works: memorable but never manipulative, […]
















