While their core ideas are always there, minimal variations make these pieces work, as they’re not just loops going on for 25 minutes straight; there’s so few minimal details that it’s worth pointing them out individually instead of providing examples.
Recent Posts
Peltiform :: Like Phantoms (Section 27)
Their previous album—FUTURISM (Section 27, 2022—was billed as “exploring the farthest reaches of sandblasted electronics,” and Like Phantoms is a smooth progression forward. Despite being “underground” since 2009, Section 27’s releases consistently push IDM and experimental electronic boundaries, inching closer and closer to the surface.
Alessandro Ragazzo :: La deviazione del profilo (Stochastic Resonance)
The combination of noise bursts, crackles akin to a detuned radio, a return to field recordings, reverberant knob-twiddling, and terrifying noise washes, creates a powerful soundtrack that evokes a theme of nature versus industry.
Brain Rays :: Slime (Acroplane)
Slime unearths powerful rhythms while at the same time uncovering unique sub-genres that coalesce on this multifaceted and heavy-duty album.
Daed :: Simulcracy (Concrete Collage)
Consisting of seven short, crisp slices that mesh well together in an amalgam of fractured and frantic electronics, Simulcracy is a definitive reference point for the expansive Concrete Collage catalog.
Richard Chartier :: On Leaving (Touch)
On Leaving contains a set of vintage variances, soothing drone tracks that are in ways abstract yet deceptively organic in nature. Minimal composition together with low pitches and recursive sets of sound contribute to this soothing effect.
Stormy Acres :: Phantom Detractor (Not Yet Remembered)
These are undoubtedly dark ambient veils woven by a dedicated sonic detailer. All in all, a pulsating, abstract, and translucent album.
Dodds Phil :: Many Moons Ago (Waxing Crescent)
Brittle electrical fields of sound that explore futuristic sculptures jump between breaks, downtempo, funk, dub, roughened techno, and magnetized hip-hop.