The few, abstract transitions are filled with tremulous frequencies that we simply can’t escape from, and in the end, it’s clearly an intoxicatingly surreal and recommended album for late-night listening.
Recent Posts
An evening of Experimental Music at DSGN CLLCTV
The back room of DSGN CLLCTV hosted an evening of electronic, noise, and left field music. Some of those on the bill were old friends and familiar faces from Cincinnati’s stalwart scene of experimentalists, while two of the other acts stopped by on their respective tours, to make for a memorable night.
V/A :: Fluxus & NeoFluxus / Stolen Symphony (Vol. 1) (Sub Rosa)
Perhaps what is most astonishing about the flux of noise, beauty, sound, art, collected here is the number of recent recordings from 2018 and 2021. That makes this particular double-album of various artists unique. The other recordings that aren’t new, are rare, or at least difficult to get a hold of. Having them all in one place is a real treat.
WE FORFEIT :: Radio Relativa #40 — Mamvt Electronics 9/16/23 @ Killing Time
Arquiola and Nahuel are members of Mamvt Electonics and the two brought two bags full of electronic gold. We had two hours recorded live with tracks from Aphex Twin, Berceuse Heroique, Hieroglyphic Being, Tin Man, Secret Studio Records, Wolfskuil and more.
Philippe Neau :: Domus (Lotophagus)
These eight compositions feature atmospheric notes, delicate tones, and drones, but the real attraction of Domus is the organic beauty of its flora and fauna.
M-Paths :: Submerge (Mighty Force)
So while some tracks are more uplifting and others are mostly immersive, the aesthetic bond is M-Paths’ particular way of choosing timbres, effects and textures and laying down the melodies.
Cathode Ray Tube :: The Oryx At Night EP (Condition Human)
Cathode Ray Tube keeps up his regular aural explorations and characterizes his most recent work as dark ambient / Deutsche kosmiche, but he also explores a world in which certain audibles have form and others remain formless.
Fallen :: Midnight Poems for Lost Seasons and Cripple Hearts (Móatún 7)
I think this is very good sounding ambient atmospheric pop, employing bass with keys, guitar, a touch of percussion sometimes and always within a framework of wonderful spacey electronics with some etheric vocals too.