Experimental Electronic Music
With Melodies, Onepointwo distills his explorations of memory and inner perception into a luminous, patient work where restrained synthesizer gestures and exploratory electronics quietly unfold into moments of warmth, ambiguity, and emotional resonance.
Free Waltz drifts through jazzy musique concrète, dubby techno, and ambient improvisation, capturing Andrey Kurokhtin’s rare gift for turning analog experiments and fleeting studio jams into a vivid, living electronic universe.
Rooted in a lifetime of dub devotion sparked by childhood sessions of LKJ in Dub, Jude Greenaway’s Parallel Action project channels deep bass pressure and meditative space into Parallel Action In Dub – The Energy Center, a cinematic, system-ready album that reframes dub as modern sonic restoration.
Adepta Editions’ AE–15 introduces Human Behind Pluto with a focused, lathe-cut statement where sculpted melody and hard-edged rhythm collide, staging a tense dialogue between suspended emptiness and relentless electronic propulsion.
Point Central’s second installment detonates crunchy, melodic electro with explosive rhythmic force, channeling classic IDM spirit through forward-facing sound design and tightly coiled energy.
Calm yet immersive and quietly surreal, Restlicht finds Rotterdam ambient artist Ard Bit drifting through evolving atmospheric states where sound softens reality and gently overtakes the listener.
Berlin’s pdqb unveils a double-pack of remixes, mapping the mechanics of robotic grooves across a hand-picked roster of producers.
Across decades of experimentation, Modulisme Session #133 and Early ElectroMIX #49 map a continuous modular soundscape where tactile composition and historical innovation resonate as one evolving language of electronic music.
Their Ghosts and Ours unfolds like a sonic séance, weaving field recordings of abandoned spaces with fractured noise, piano, strings, woodwinds, and electronics to summon […]
While nodding respectfully to Aphex Twin, Unselected Ambient Archives 2020–2021 reveals Celine Arnauld excavating half-forgotten material into a relentless continuum of granular ambience, industrial pressure, and fractured electronic memory.
Yamil Rezc’s Orgrinder is a quietly transformative 40-minute work that reshapes familiar urban sound into a patient, immersive listening experience, rewarding curiosity rather than demanding attention.
