Seven years after its initial release, and the skilled sound sculptor returns with a revived and impacting EP.
Reviews
Second Seasons :: Immense Heaven (Schematic)
The high-level experimental electronic grooves that Second Seasons derives are utterly perplexing as the album moves forward with intense propulsion.
Language Field :: At Odds EP (Waxing Crescent)
At Odds by Paul Cheshire’s Language Field moniker contains six flowing tracks of heavily saturated grooves.
Marla Hansen :: Salt (Karaoke Kalk)
Salt takes the delicate mixture of acoustic instruments such as viola, violin, piano and guitar combined with subtle electronics to the next level. The new album is both a remarkable departure and at the same time sheds a new yet reassuring light on Hansen’s work and creativity.
Yella Gin :: I Was a Satellite of the Sun (Mestnost)
Although this album is set in space, its aural compositions combine technoid patterns, braindance, IDM, ambient, downtempo, and microscopic grooves with brittle melodic components that, in this limited edition cassette and digital release, manage to function nicely together here on Planet Earth.
Damage Multiplier :: Damage_Multiplier (Self Released)
The few, abstract transitions are filled with tremulous frequencies that we simply can’t escape from, and in the end, it’s clearly an intoxicatingly surreal and recommended album for late-night listening.
V/A :: Fluxus & NeoFluxus / Stolen Symphony (Vol. 1) (Sub Rosa)
Perhaps what is most astonishing about the flux of noise, beauty, sound, art, collected here is the number of recent recordings from 2018 and 2021. That makes this particular double-album of various artists unique. The other recordings that aren’t new, are rare, or at least difficult to get a hold of. Having them all in one place is a real treat.
Philippe Neau :: Domus (Lotophagus)
These eight compositions feature atmospheric notes, delicate tones, and drones, but the real attraction of Domus is the organic beauty of its flora and fauna.