soak vol 2 unfolds like a damaged transmission from somewhere intimate and unplaceable—32 fractured, emotional, and strangely beautiful pieces stitched together from the outer edges of contemporary electronic sound.
Headlines
RL Huber :: Sea Legs (Self Released)
RL Huber of Eureka Springs, Arkansas has an orchestral sound, with abundant strings and pianos, and a classical-drone crossover feeling that is complex and subtle.
Tewksbury :: rust/wave (Imaginary North)
rust/wave, his latest, takes a different approach. The Hamilton, Ontario-based artist has compiled a beautiful piece of ambient work, and rather than introducing itself as some ambient drone or sounding like that, it’s actually really melodic and beautiful. A peaceful listen.
DgoHn :: Tessares (Planet Mu)
The dubbed-out vocals, the melodic fills, the use of unusual time signatures, these aren’t just technical tricks, they’re emotional tools. The album feels exploratory without getting lost, complex without being exhausting. For fans of drumfunk and the kind of brain-melting beat science that Planet Mu championed in the late 90s and early 2000s, Tessares is essential.
V/A :: 130.81 (Passed Recordings)
Passed Recordings thus signs one of its most mature operations: a collective, contemplative, rigorous work, capable of transforming C3 into a small sonic homeland, fragile and vast, familiar and remote, where time bends slowly and sound returns to being a form of attention.
Everyday Dust :: Assemblance X Sessions (Dustopian Frequencies)
The sounds here are not just the contemporary musique concrète we’ve all come to know and love from Everyday Dust, but musique métaphysique. It’s earthy, its rooted, its physical powerful when blaring through the headphones or speakers and subwoofer, but it contains the ever necessary particles of dust that transport me to the otherworld every time I listen to music from this artist.
V/A :: Part Time Archivists | Part Time Forgers (Necessary Unfold)
Necessary Unfold draws together the collective consciousness of contemporary Greek electronic music in their Various Artist label launch collection Part Time Archivists / Part Time Forgers. Coalescing electro, breaks, acid sensibilities, and IDM intent, we get 12 sublime Saturday-night anthems primed for a proper underground, word-of-mouth gathering. Summer radiates through the set.
SRS :: Plastic EP (Shakesphere / Furthur Electronix)
This overall limited run of the acid genre is another success on the label for those who are in love with the genre. Furthur Electronix—and a warm welcome Shakesphere, their sub-label—has been carving out a niche for itself over the past few years, releasing music that feels both nostalgic and necessary. It’s a love letter to a sound that defined an era, and for fans of classic acid and braindance, it’s essential.
Simon Pyke :: Drift Works (Self Released)
Operating as Simon Pyke (aka Freeform) and various collaborative ventures, unveils Drift Works—twelve fractured post-ambient sketches unfolding in slow, seamless disintegration. A fluid, absorbing whole […]
Record Of Tides :: Intercelestial (Mahorka)
Within that tension between structure and collapse, Sven Piayda uncovers a strange sense of ease. Intercelestial thrives inside instability, shaping corroded electronics and broken rhythmic patterns into something fluid, tactile, and strangely alive.
Loose Lips :: Live Session #45 Sunden (Live Performance @ REinsTate)
Set within the ongoing restoration of East London’s historic Tate Institute, Sunden’s one-take live performance transforms themes of collapse, renewal, and emotional reconstruction from Minor Coda into a visceral audiovisual experience.

















