Experimental Electronic Music
Humanfobia has brought a path of death and destruction across the planet. This latest offering is a master work of horror and anguish that surely few can survive. The sound is not complicated, bass and keys with strange tones, groaning guttural unearthly sounds and sexy whispers from a ghost who follows me into my dreams.
Bouncing Dance outlines Clean Error’s goal to revive the early IDM era and present new and intriguing sound sculptors who continue to develop fresh and original methods to portray it.
Malarki’s full length album for Errorgrid titled Asunder is full of bursting and brittle electrical fields, delivering an impacting sonic punch of soundtrack behemoths and shuffling industrial textures.
It feels almost odd to say that this is Adam Wiltzie’s solo debut album; Wiltzie has been working in various groups for over thirty years, groups with which he’s amassed a pretty large catalog, but one that was lacking his very own solo creation.
Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripherals.
A soundtrack in which its single moments are most definitely enjoyable and work as such, portraying a good variety of different imaginary scenarios that are apt to the album’s concept.
Intoxicatingly surreal darkened structures to push us forward.
scav finds solace in peculiarly compelling minimized clicks and cuts where skillfully weaved ambient noises mingle with darker soundtrack elements producing pleasant tones to the core.
