Experimental Electronic Music
Sonnailles moves from restraint into release, but never fully lets go. It maintains the precision associated with Raster while leaning more into physicality and motion. The influence of rhythm and movement is more present, but still abstracted, never fully resolving into something predictable.
Empty Halls is a longer meditation, generating a haunting atmosphere that invites the listener to become lost inside its unfolding darkness. In this way, it can also provide peace and comfort in the darkness of wintertime.
Moho Abyss is quite distant from Bianchi’s recent classics in darkly meditative, blurred-out melodic ambient, and instead targets its sound exploration toward spectrality, blooming cybernetic resonances, and hypno-ish synthesized pulses.
Taken together, Tomoroh Morning – A Tribute to Tomoroh Hidari stands as a vivid document—one that reflects each contributor’s voice while honoring an artist who cultivated wide connections yet kept creative paths distinct. As noted in accompanying liner notes: “There will always be a tomorrow morning.”
NOSTOI reveals Luca Bevacqua as an artist less concerned with composition in the traditional sense than with the shaping of the listening experience. The album aggressively resists passive listening; it asks to be inhabited, endured, even wrestled with. Host and parasite marry.
Teichopsia is a dense, interactive array of drifting electronic environments—machinery humming somewhere above the atmosphere, signals circling endlessly through cold orbital nights. An unyielding ambient-industrial smorgasbord not to be missed.
Across two live, fifty-minute transmissions, Spednar and eczem push their machines to the brink, sculpting raw voltage and fractured rhythm into immersive, ever-mutating electronic architecture.
Relentless and uncompromising, the new Kopfkino EP plunges headfirst into sonic extremes—where noise becomes vision, chaos turns revelatory, and transcendence is carved from pure abrasion.
Alavux’s Underground Is Resistance is a relentless, low-end assault that trades melody for sheer industrial force, pushing electro foundations into overwhelming, club-crushing extremes.
On Flowers, Elizabeth Davis dismantles the protest-song tradition and rebuilds it as a stark, minimalist meditation on war’s quiet bureaucracy, where repetition, restraint, and fractured electronics expose conflict not as tragedy but as routine.
Founded in 2006 by Sardinian composer Francesco Perra, the one-man project Perry Frank crafts a deeply immersive sonic world where ethereal drones, degraded glitch textures, and echoes of ancient Sardinian folk traditions dissolve into a dreamlike meditation on memory, stillness, and time suspended.
