Experimental Electronic Music
FLC pushes the sonic envelope into more atomically intense innerscaping; couched as it is in sprawling tracts from brooding pulse (“Still Canyon”) to queasy drones (“Hypogeum”), chthonic atmo (“Thawing Ice Temples”) to percolating celestial (“Rain Clouds Descending”)…
The delicate touch is omnipresent in his work, especially in the use of chimes and glockenspiel, but also with sound effects, such as a bit of delay here and there.
From peculiar vocal samples, to sputtering noises, drones, and dystopian soundtracks, these are transmissions from the farthest edges somehow understanding each other.
My initial overall impression of Welcome To The End Game is that this is a very worthy follow up to earlier releases. We are greeted with all of the hallmarks of RoW including their fractured beats, evocative and emotional synth lines…
What I hear is existing simultaneously, a pattern is gathered and then begins cycling, with improvisations with how the pattern is expressed, trading solo jams within the marching machine cadence.
Int-Interred is a baffling and murky electronic smorgasbord showcasing artistic range and cultivating unique, if not moody, arrangements.
Percussion Proximity is a fluid listening experience with uniquely static-infested substructures with clinical precision.
De Benedictis has always resisted the lure of ancient genre sirens—be they Berlin School graduates, post-Eno acolytes, or hirsute New Agers—instead adopting a unique, individualist strategem where such recognizable elements are but kaleidoscopic effluvium…
It’s really great to see and hear Touched Music giving some of these artists another new home, and whilst it’s part of a ten year anniversary and bringing back feelings and artists I had love for more 20 years ago when I was first discovering them.
A circle begins and ultimately returns to the start, and you have gained all of the experience of the textures, and silence, sparking a spiritual awakening into the power of sound of the journey around the forms.
