Experimental Electronic Music
For fans of CPU, Carl Finlow and electro’s wider continuum, IXRQ’s command of the language will be immediately apparent. But this isn’t simply reverence for what has been. These are familiar components arranged with enough curiosity to remind us that electro’s future has never been about inventing the machine. It’s about continuing to find new things for it to say.
Most ingredients are well known, but it’s the ingenuity with which they are married into one homogenous alloy that makes Anemoia not simply a standout IDM piece in terms of production proficiency and storytelling, but an important milestone in the history of modern electronic music in general and, for me, a present and future classic.
A label that kept going, kept releasing, kept refining a shared aesthetic without compromise or concession to trends. aux4444 pt.1 carries all of that history in its drum patterns and melodic builds, and it sounds better for it. This is what underground electronic music looks like when it’s done with genuine conviction over a sustained period of time.
Leo’s latest six-track EP, Cicada Burnt, is a stunningly crafted collection of teknoid soundscapes where cutting-edge pulses scatter love bullets of intent with serious depth, weight and imagination.
Such sleek, rhythmic glitch sees rinse.repeat at it again with this oversized extended player, running just over twenty-four minutes and moving through modernized, mechanized electronic flutter.
Rather than relying on brute force, Beatrice M. favors restraint, allowing space, texture and movement to do the heavy lifting. The result is a sophisticated, deeply atmospheric debut that confirms her as a compelling new voice within Bristol’s ever-evolving bass continuum.
Re: Echo Mist Light offers a spellbinding collection of re-imagined pieces based on the initial album by Wahn. This release celebrates the 500th release of the independent imprint, a well-known publisher which cannot be missed by avid followers of adventurous and multifaceted forms of electronic music.
The Precipice is the clearest proof yet that the trust between Boulton and Bax runs deep enough to produce something genuinely singular. It’s the sound of two producers who stopped negotiating with each other and started finishing each other’s sentences.
Intelligent yet playful, We Thought It Was Normal is an assured statement from an artist continuing to refine an already distinctive electronic language.
Always willing to push miles ahead into abstract electronic substructures while reaching back for acid, rave, jungle, breaks, and ultra-low-end vibrations, this is music whose physical impact feels every bit as potent now as it might have in the mid-90s.
Photographic Memory is essentially the city chopped fine until it stops sounding like a city and starts sounding like weather. It’s made to be heard as a continuous mix, but Speake wants you to feel free to dip in and out.
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