Veter glides by like gentle snow falling in the heart of winter, with its melodies drifting past light technoid flutter and a crisp chill in the air.
Tag: Experimental
V/A :: IDMf Retrospective Vol. 5 (Glitchpulse)
This closing retrospective explores a dozen sculpted electronic textures and tones, where rhythmic audio structures collide and collapse, crumple and fold, as the Australian label shifts into the forward-thinking Glitchpulse Records outfit.
V/A :: Sampler IV (Facade Electronics)
Northern Mexico’s Facade Electronics’ annual compilation titled Sampler IV (aka Sampler IV. Present and future. Facade Electronics 2020-2025) shifts into their fourth of the series, representing fourteen tracks that spark and shimmer at all the right angles.
Consul :: 3033 (Self Released)
Mert Büyüksağnak (also known as Consul) makes a strong debut breakcore and braindance collection, tearing through the speakers with splintered beats galore.
Wankers United :: Zootech (Evel)
Diving head-first into Wankers United’s (also known as Thomas Lanza) most recent album, Zootech, for Evel, and we’re hypnotized by its melodic disintegration and glitch-laden groove.
Jacek Doroszenko :: Identity Values (Audiobulb)
Where atmospheric waves coalesce, drifting sonic ice-sheets scrape up against each other as Identity Values subtly gains momentum while aligning with Audiobulb’s extensive Rolodex of abstract sound sculptors.
V/A :: Errormatic Vol.4 [The Collective] (Clean Error)
This assemblage being the fourth of the series, cascades without form, veering between the boundaries of experimental sonic media and next-level hyper glitch mechanisms, and is curated within introspective, low-flying IDM/braindance morsels.
Nerthus :: The Path of the Elder Ones (Eighth Tower)
Clashing noises, odd scintillations, cavernous echoes, and granular moves insidiously come to the fore to enthrall or ravish the listener in an intoxicated and poisoned tellurian or subterranean ambiguousness.
Bernhard Living :: Technological Lessness
Upon listening to Bernhard Living’s output, the music is extremely minimalistic and doesn’t actively try to be challenging in some way; so with how little there is that’s happening, I immediately knew that this was coming from someone who knew what they were doing.
Rubbish Music :: The 750-kilogram snake of destruction fatberg (Flaming Pines)
At thirty-nine minutes, abstract dark drones and punctuated slices of musique concrète flicker across densely layered clicks and disheveled echoes.
Hiverlucide & Pyramid Waves :: RiotxNoise (Solium)
Almost fifty minutes of improvised spazzing noise and dizzying breaks, all mastered rather loudly, make RiotxNoise far more than exciting; if the premise wasn’t enthralling enough, there’s also vocals and a damn harpsichord on this LP; now that’s good business if you ask me.
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