Experimental Electronic Music
Even if the album as a whole isn’t trying to make all of these different styles work together, RamonPang seems to be able to achieve something interesting with all of them, as despite some harsh contrasts in the tracklist, all the tracks eventually manage to pull me in and make me accustomed to their new sound.
Katà Métron skillfully develops and reinforces the suggested objective of “living in harmony with oneself and nature,” a powerfully serene soundtrack we should all take notice of, and a surrounding sonic highlight for 2024.
The spiritual joy that the human voice, in whatever language this is, is very attractive. This is a mystical sound, I think it works really well in a mix of tracks, to shift context and take our constantly listening ears into a whole new direction using just the human voice.
Diskordant is a live, improvisational minimal extrusion from below the surface that ebbs and flows with a sense of aural wonder—its thick textures and tones are the core elements.
There are many things hidden in these low dwelling clouds, complex tiny voices and bits of music with overlays of curved drone-like sustained tones that are overall positive and uplifting.
This combination of hammering pulses, screeching feedback and tight grooves creates a captivating sound that doesn’t work solely because of its intensity, but also because Brandon Invergo shakes things up effectively throughout this release.
We need musicians like Suseti and Henrik Meierkord who take making slow introspective music designed for contemplation an art form, and not just something that can be replicated with a few music apps and some help from soulless AI.
The fifteen vignettes that these pieces offer are rather similar in atmosphere throughout disc 1, but a significant shift happens once you reach the unnerving nature of the second disc; though the first isn’t easy either, it does leave a lot more room for relaxing and somewhat reassuring natural sounds…
