Experimental Electronic Music
Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
All in all, the four tracks on the Russia EP certainly leave a positive impression. The noise is satisfying, and the way the pieces constantly move around makes them really engaging.
More heavy and power electronics are used as main architecture, punctuated by processed acoustic elements, retro-futurist tribal drums, doom-laden organ chords, micro noises, and nihilistic vocals, wordless and narrated.
clocolan’s soundscapes are encapsulated by a multitude of spectral tones and drones, while dreamy, textured layers present an uneven yet well-balanced veneer.
Built over long soundscapes, noisy field recordings and hypnotizing harmonic clusters, Aqua Obscura completely takes over our attention, swimming on a magical journey that directly touches our inner consciousness.
Journey into the depths of dark ambient music, beautifully balanced by exquisite piano harmonies that resonates deeply in memory. The concert took place in La Kanja, the cultural center of Skopje, Macedonia on June 22, 2024 as promotion to his second album Karpa Mrak.
The mighty label Errorgrid is host to an incredible stable of artists working in a wide variety of genres, modes and formats but all reminiscent of “a darker sound of a present future” as the label motto goes. Their Quantized Realities – Technology compilation is a perfect record of the label’s roster and sound.
These transmissions are on just the right frequency for slowing down and finding your own signal in the noise. Comprising of two pulsating long-form pieces it is easy to get lost in these tones that undulate between earth and sky.
A homogenous and well orchestrated performance, making every musician involved a fundamental component, as each adds their own little piece to form a bigger, more satisfying puzzle.
These are works of musique concrète recalling the radiophonic atmospheres in vogue in the fifties and sixties and now seeing a sound resurgence as the medium of tape is revitalized and resurrected for composing.
The thirteen pieces, broken, infected, and deformed from every viewpoint, exude off-center rhythms and fragmented beats in an unabridged collection that seems to have no beginning or end.
