1..or.2..or.u.chuz’s background soundtrack layers pierce the boundaries of glitch and braindance, which is hidden deep within its jagged fissures.
Tag: Braindance
V/A :: Seventeenth Listen (People Can Listen)
Another potent assortment of vibrant and well-crafted IDM morsels to savor, brought to you by the consistently dependable People Can Listen label from Minsk, Belarus.
lifeisfeedback :: sado-mechanism EP (GOTO)
Similar to Richard Devine’s industrial synth-mechanics mixed with the rhythmic crunch-hop of Gescom, lifeisfeedback (aka Benjamin Chilton / Elevator Sound) sets a memorable tone as he opens an account with GOTO.
Seph :: Séptimo Sentido (Lapsus)
This LP is as good as current “greatly inspired by classics” IDM gets, because Seph rebrands the dusty futuristic aesthetics of acts like The Black Dog or B12 to turn them into incredibly polished and smooth soundscapes, creating tunes that now sound like they come from 3024 just like the classics did when they came out thirty years ago.
Xylitol :: Anemones (Planet Mu)
I’m really enamored with how Xylitol always manages to merge these two completely unrelated universes, the almost new age aesthetics with the energy and franticness of the breaks, sometimes to a point where they don’t even merge, rather they seem to be playing separately and turn into a completely overwhelming experience.
Stazma :: Caring Too Much EP (Concrete Collage / Grey Meta)
Not unexpected, Caring Too Much is a magnetic release that will have us coming back as it exposes top-notch, mind-blowing mayhem.
p1nkf1re :: Red EP (Analogical Force)
In this sweetened half-dozen selection, p1nkf1re distinctly catches brittle moments of IDM, electro, breaks, braindance, and, more importantly, has fun with it. It’s the nostalgic sound of bygone days, brought forward to current day levels.
µ-Ziq :: Grush (Planet Mu)
Presenting an array of emotive tunes that show how delicate and sensible Mike Paradinas’ way of composing music, which not only emanates positive and rather light approaches in music expression, but makes a statement on how electronic music can be graceful and yet intriguing.