Experimental Electronic Music
Still Time celebrates humans and nature, always considering that we are here on Earth together. The music reveals some new percussion sounds added to the studio at Space Center Music Productions in Sandane, Norway, and some experiments with international ethnic voices.
A Very English Wind is a cutting-edge and magnetic EP that stays ahead of the curve by incorporating our favorite gritty electro-infusions submerged in saccharine blips’n bleeps experiments.
The thirteen pieces, broken, infected, and deformed from every viewpoint, exude off-center rhythms and fragmented beats in an unabridged collection that seems to have no beginning or end.
The eroded and surreal sonic manifests on qu4 carefully collapse and recombine succinctly, casting darker shadows than previously explored,
Double review for zakè’s B⁴+3 (Zakè Drone) and zakè & Benoît Pioulard’s eve (Past Inside The Present)—proceeding to windblown drones and bells tintinnabulating across the sound field.
Encompassing distant field recordings, nostalgic IDM from a bygone era, and the bewilderment of how sound can alter one’s emotions, the plethora of positive grooves on this recording are endless.
The tracks on this release show such carefully constructed rhythms, with no hi-hat out of place, and each rhythm synergetically adding to the establishing layers of sound to create something much greater than the sum of its parts.
Pera Sta Ori returns to his roots with rave, breaks, and jungle soundscapes on the four-track EP, Hix Hax, for To Pikap.
