Both tracks featured on Psyops 2026 is a sampladelic exploration of archetypical sci-fi electro. Pummeling 808 beats thump with precision, bass bounces under sub-bass pressure, and staccato synths stutter and twist like robotic tendrils.
Tag: Bass
John Nap :: C.C.T. (Heterodox)
Across eight meticulously engineered cuts, John Nap’s C.C.T. fuses subterranean bass weight, corroded glitch textures, and restless breakbeat architecture into a sleek, nocturnal system of controlled sonic volatility.
Vivid Stars Forgotten :: Seven Light Rays (EQ)
Seven Light Rays drifts through eight weightless realms, where Vivid Stars Forgotten crafts a hushed, cosmic escape of slow-burn ambience, submerged bass, and dissolving light.
Nima :: Nima LP (PROGRAMM_LDN)
Forged in the pressure systems of London’s underground, Nima arrives not as a debut but as a bass-heavy declaration—channeling decades of inner-city innovation, sound-system lineage, and lived nocturnal experience into a record that pulses with survival, resistance, and resolve.
Atlea :: Optics EP (Katabatik)
A shadowed pulse circles Optics, as Atlea folds primal electronic textures, finely etched vocals, and dark techno motion into a hushed yet magnetic release that lingers at the edges of perception.
Containment :: The Rotating Boy EP (Condition Human) — [concise]
A visceral debut from Chang Terhune’s new alias Containment, The Rotating Boy is a feral four-track assault where broken jungle, corroded synths, and hyper-pressurized breakbeats fuse into a volatile rush of euphoria, collapse, and percussive violence.
Parallel Action :: Parallel Action In Dub – The Energy Center (World Wide Web)
Rooted in a lifetime of dub devotion sparked by childhood sessions of LKJ in Dub, Jude Greenaway’s Parallel Action project channels deep bass pressure and meditative space into Parallel Action In Dub – The Energy Center, a cinematic, system-ready album that reframes dub as modern sonic restoration.
Mr. Projectile :: Fire Pink (Self Released)
Matthew Arnold resurfaces as Mr. Projectile with Fire Pink, channeling decades of emotive electronic craft into a forward-thrusting statement that trades nostalgia for ignition.
algorhythms :: wreccage (Self Released) — [concise]
wreccage emerges as a shadow-soaked collision of dark ambient drift, illbient abrasion, and downtempo pulse, carved from improvised grit and collapsing rhythms.
Ramjac Corporation :: Digi Stomp EP (Specimen) — [concise]
Ramjac Corporation’s Digi Stomp EP features four rugged, bass-driven explorations of sandblasted dub and analog grit, crafted by Paul Rip for ESP and mixed by Ian Tregoning in 1994—each track delivering a raw blend of low-end pulse, technoid funk, and unhurried, experimental rhythms that echo with an enduring, visceral energy.
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