Experimental Electronic Music
With Melodies, Onepointwo distills his explorations of memory and inner perception into a luminous, patient work where restrained synthesizer gestures and exploratory electronics quietly unfold into moments of warmth, ambiguity, and emotional resonance.
Free Waltz drifts through jazzy musique concrète, dubby techno, and ambient improvisation, capturing Andrey Kurokhtin’s rare gift for turning analog experiments and fleeting studio jams into a vivid, living electronic universe.
Rooted in a lifetime of dub devotion sparked by childhood sessions of LKJ in Dub, Jude Greenaway’s Parallel Action project channels deep bass pressure and meditative space into Parallel Action In Dub – The Energy Center, a cinematic, system-ready album that reframes dub as modern sonic restoration.
Calm yet immersive and quietly surreal, Restlicht finds Rotterdam ambient artist Ard Bit drifting through evolving atmospheric states where sound softens reality and gently overtakes the listener.
Their Ghosts and Ours unfolds like a sonic séance, weaving field recordings of abandoned spaces with fractured noise, piano, strings, woodwinds, and electronics to summon […]
While nodding respectfully to Aphex Twin, Unselected Ambient Archives 2020–2021 reveals Celine Arnauld excavating half-forgotten material into a relentless continuum of granular ambience, industrial pressure, and fractured electronic memory.
Yamil Rezc’s Orgrinder is a quietly transformative 40-minute work that reshapes familiar urban sound into a patient, immersive listening experience, rewarding curiosity rather than demanding attention.
Acoustic warmth and restrained ambient drift move through a suspended void where time dissolves, folding emotive drones, spectral guitars, and quiet noise into slow-moving, memory-laden soundscapes shaped by Asher Fusco’s patient hand.
Soul of the Machine transforms Alan R. Pearlman’s centennial into a living, forward-looking testament, revealing how ARP’s visionary instruments didn’t just shape electronic music’s past, but continue to actively define its future.
Matthew Arnold resurfaces as Mr. Projectile with Fire Pink, channeling decades of emotive electronic craft into a forward-thrusting statement that trades nostalgia for ignition.
Forged from steel-string electric guitar alone, This Broken World is a dark alt-ambient meditation where looping drones, restless fingers, and decaying tape-like repetitions favor texture over melody, tracing desperation, endurance, and the fragile possibility of repair as sound slowly resists entropy.
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